Somnia, published by Knives, Forks and Spoons Press, 2020, Manchester, UK. 76 pages, £10. ISBN 978-1-912211-50-0.

Editor: Alec Newman

Cover photo, collage © Mark Mawer

Somnia was included among the best books to read during lockdown by The Telegraph Arts, May 2020. The book was showcased at Blackpool Illuminations Festival 2019 and it was financed with support from the Arts Council England.


‘Dark, surreal fables, often set in war-torn or oppressive states, from a poet who has won 12 national prizes for poetry in Romania. If you like Ilya Kaminsky’s Deaf Republic and the weirder poems of Charles Simic, then buy this at once.’ (Tristram Fane Saunders, The Telegraph)


‘One of the best books of poetry I’ve read this year is Maria Stadnicka’s extraordinarily vivid collection, Somnia.’ (Ian Seed, writer and academic, author of New York Hotel, a TSL Book of the Year)


‘Stadnicka’s poetics is one of craftmanship, wherein she carefully walks the tightrope of surreal poetic metaphor and the gritty realism of investigative journalism and broadcasting. Drawing on her experiences in both, Stadnicka’s writing culminates into a distinctly inventive literary landscape.’ (Briony Hughes, Stride Magazine)


‘Somnia is accomplished and timely, built on acute observation and drawn without judgement. The poems focus on the darker sides of humanity, the intrusion on every day lives by the political forces and show solidarity with those simply trying to protect family and survive.’ (The Journal, June 2020)


‘First and foremost, this is a wonderful collection: every poem is an evocative and moving vignette of personal/persona observation at its most poignant as well as uncertain. As readers we cross over surprises to arrive at others – the spaces between are landscapes of everywhere we have and haven’t been, transient like some memories, and as fixed as recurring dreams.

As an entity – the poems so often reveal their menace in pervasive rather than direct ways. They work in partnership by a different kind of sharing: obviously, the poetic which is the richly imaginative connections across and within the poems [the superb impact of all], and then there are the forces beyond individual control where our lives are determined by a common dissembling of what we thought was free-will and personal, decisive experience – and this is what we consistently read in them.

Somnia is consistently alluring and enigmatic in its poetic voice. What compels isn’t just the draw into many mysteries, but also Stadnicka’s calm creativity in conveying, for example, the horrors and/or abstractions of these – her poetic voice completely comfortable in its suggestiveness: inventive, provoking, highly visual.’ (Mike Ferguson, International Times)


‘There is such a quiet bravery to this brilliant and powerful collection by Maria Stadnicka. It’s a beautiful, potent book.’ (Anna Saunders, CEO Cheltenham Poetry Festival)


‘This collection is resonant with European and modernist echoes; the text references Camus, Szymborska and Emil Cioran, among others, and the influence of surrealism is evident throughout the collection. The poems are written in the plainest language, without much rhetorical embellishment; and yet, as in the best poetry, the meanings are hard to pin down and the poems have a depth of field which stays with the reader after the book has been put down.

The poems address war and dislocation in an unnamed land which could be many places, but reminds the reader of the Balkans conflict of the 1990s. The encounter between everyday life and shock of conflict is presented in a dead-pan tone. […] The poems give us insights into lives and experiences that couldn’t be delivered in any other way except in poetry. They also encompass the guilt and powerlessness of those viewing events from a distance. […]

Individual poems can have an almost spiritual effect, like Zen koans or proverbs, having a dream-like quality, which offer a sense of mystery, and psychological insight.’ (Alan Baker, Litter Magazine)

Somnia is available from Knives, Forks and Spoon PressThe Poetry Book Society, Waterstones and Amazon.

Somnia can also be ordered from the following independent bookshops:

Banner Books (Ennistymon)

Book Corner (Saltburn-by-the-Sea)

The Bookshop (East Grinstead)

Brendon Books (Taunton)

Bridge Bookshop (Isle of Man)

Browsers Bookshop (Porthmadog)

Gullivers Bookshop (Wimborne)

Gnash Comics

Gwisgo Bookworm (Aberearon)

Haslemere Bookshop (Haslemere)

Hungerford Bookshop (West Berkshire)

Lindum Books (Lincoln)

Mostly Books (Abingdon)

Niche Comics and Bookshop (Cambridgeshire)

Red Lion Books (Colchester)

Sam Read Bookseller (Grasmere)

Wivenhoe Bookshop (Essex)

The Woodstock Bookshop

For details and reviews, please see the ‘Reviews’ page.

If You Find My Mother, Buy Her Flowers, in collaboration with JoAnne McKay, published by The Poets’ Republic Press, 2019, Edinburgh, UK. 46 pages, £6. ISBN 978-1-5272-4710-9

Editor and preface: Hugh McMillan, publishing editor: Neil Young.

‘Maria Stadnicka is as free as the wind. Her language is unrooted by the gravity of source and evidence, though the backdrop to her poetry is a world where war and oppression are intimate. Her poetry is from a European surrealist tradition and leaps of imagination and language are the norm – “Nothing clears/ the remains of the war better/than a new haircut” – where prosaic events lead to abject images of injustice and misery, where the ghosts of war and destruction stalk the landscape, where even “people cycling home/are struck to the ground by tarry rain.”

All this observation could be a bleak task, but through the depth of writing, the poet re-states the durability and hope of the human voice.’ (Hugh McMillan, August, 2019).

Book available from

The Unmoving published by Broken Sleep Books, 2018, UK, 32 pages, £5. The book is available here and here.


The Unmoving is a dark and delicious exploration of post war landscape. Maria Stadnicka’s beautifully crafted lines cut like a knife, her poems come to the page like water from a deep well, only the well has been poisoned. Masterfully succinct and shrouded in Stadnicka’s trademark sense of mystery, The Unmoving is as vivid a poetry chapbook as you’re ever likely to read.’ (Broken Sleep Books, 2018)


‘A chisel, a hammer, a lyre; reportage, intimate feelings, quips and criticisms. Maria Stadnicka’s poems are clusters of consciousness, graphic, material images of our world. Her language assaults, bends, cajoles, thrusts a saber into the darkness of the very language she employs to explore death, degradation, the non-recognition of the human individual, war, urban violence, in short, the all-too-present context of our daily lives. Is there an element of grace, a lyrical thread, an invocation of human beauty? Yes, if one can continue to believe in this beauty while contemplating the profound alienation and marginalization that characterizes contemporary Western societies.’ (Andrea Morehead, Osiris Magazine)


‘What she accomplishes in these mainly minimalist texts is something quite special. There’s an underlying sense of ‘exile’ which permeates the whole collection and a quality of empathy with suffering, particularly related to those who are alienated within an environment, for whatever reasons. Her mixing of narrative snippets (the syntax and grammar are straightforward) with experimental jousts and fragmentary dislocation are central tenets here, which tend to make the reader focus in on every line and its relation to those around it.’ (Steve Spence, Litter Magazine)

Imperfect published by Yew Tree Press, 2017, Stroud, UK. 58 pages, £10 or second edition, pamphlet form, £5. ISBN 978-0-9562038-5-4

Editor: Philip Rush

Designer: Andrew Morrison.

The book is available from .


‘Maria Stadnicka’s poetry is the most exciting I have read for some time. Her particular experience in Romania means that the political is not an option: she embraces it. Her work is on the frontline, also underscored by her background in journalism and broadcasting. But the genius of her poetry is to take the literal beyond itself into memorable and surreal flights of metaphor, while remaining firmly anchored at the same time. For English readers, her poetry is ‘other’; and I welcome that at a time when poetry needs to wake up to the contribution it can make at this time of transition and transparency. Our task as poets is to ‘see’: to divine a deeper reality. Her truth-gaze is unswerving.’ (Jay Ramsay, writer, editor, author of The Dangerous Book, 2018, Fitzrovia Press and Agistri Notebook, 2016, Knives, Forks and Spoons Press)


‘The work reminds me of Charles Simic’s and also the gentler end of Vaska Popa’s work. There is the same clarity of images and voice with little metaphor or allusion. Instead a kind of surrealism is at work in the direction the narratives take, in the thought processes being evidenced with their jumps and asides, their sometimes surprising conclusions.’ (Rupert Loydell, Stride Magazine, 2017)

EXITUS 2017, published by Smallminded Books, edited and printed by Rupert Loydell. Limited edition.


Stroud Poets pamphlet, poetry anthology, published by Yew Tree Press, UK, 2016.  ISBN – 978-0-9956603-0-4. The book is available here:

A Short Story About War, poetry collection (Yew Tree Press, England, 2014 ISBN 978-0-9562038-4-7) available here: