Maria Stadnicka’s latest poetry collection Buried Gods Metal Prophets is inspired by the experiences of her siblings, who lived in a Romanian children’s home between 1978-1987. This was the period of Romania’s Communist Party’s disastrous ‘Decree 770’, which banned contraception and abortion, at the same time as awarding women with more than five children an ‘Order of the Heroine Mother’. As a result, an estimated twelve million illegal abortions took place between 1967 and 1989 and over 250,000 children were placed in orphanages or care homes.
Stadnicka builds a polyphonic poetic documentary inspired by Julia Kristeva’s idea that poetry can establish ‘space and infinity’ beyond the restriction of linear poetics. The juxtaposition of narratives builds a world in which the omnipresent voice of the government echoes in the mechanised communication between the state and the individual, as well as in the control over the process of information dissemination in a climate where the private ownership of a typewriter without state permission, meant prison sentence.
Buried Gods Metal Prophets is based on her personal experience when working as a teacher at St. Stelian Orphanage which cared for three hundred children diagnosed with HIV and AIDS. Exposing the reality of living in state care during the Cold War, it explores the spectre of political and human tyranny that can contribute to a generational socio-cultural trauma. Children are called by numbers, not by names, and even the letters they write to Santa Claus are subject to censorship.
The creative process was informed by interviews with family members, and research around childhood trauma, neglect and child language development. The book responds to what Sartre calls literary ‘commitment and substance of enterprise’, looking at survival as an act of defiance.