Somnia launch in Stroud / 5th December 8pm / Museum in the Park

SOMNIA Knives, Forks, Spoons Press / Sep. 2019

About SOMNIA:

Writer Ian Seed (author of New York Hotel, a TSL Book of the Year) wrote: ‘one of the best books of poetry I’ve read this year is Maria Stadnicka’s extraordinarily vivid collection, Somnia.’

‘Stadnicka’s poetics is one of craftmanship, wherein she carefully walks the tightrope of surreal poetic metaphor and the gritty realism of investigative journalism and broadcasting.’ (Briony Hughes, writer and critic, Stride Magazine, October 2019)

‘Somnia is consistently alluring and enigmatic in its poetic voice. What compels it’s Stadnicka’s calm creativity in conveying the horrors and/or abstractions of these – her poetic voice completely comfortable in its suggestiveness: inventive, provoking, highly visual.’ (Mike Ferguson, writer and critic, International Times, September 2019)

Somnia will be launched on 5th December 2019, 8pm. Free entry.

Publisher: Knives, Forks and Spoons Press.

Editor: Alec Newman

Cover artwork: Mark Mawer

 

November, 2019

 

 

 

 

 

 

 

 

 

Euro Vision and Eurovision #Flashnews (Part V)

©John Stadnicki, 2019

The first signs of European meltdown are showing the crude side of politics. Ukraine will not take part in this year’s Eurovision Song contest. A shame. I like Ukrainian music, but the singer Maruv pulled out, over disagreements about imposed conditions by the Ukrainian national broadcaster. The Russian delegation is considering its position, though they are completely oblivious to all this, knowing well ‘you need to be in it, to win it.’

I suppose many overlook the fact that the whole point of Eurovision was to rebuild a war-torn continent in the mid 50s. It should have been outside politics and scandal. To my shame, though, I’m guilty of overlooking many things about Eurovision too.

I’m used to ignoring Eurovision, although I kind of expect it to happen. I have the same love-hate relationship with it, as I have with the weather forecast. I know it happens after each news bulletin so, by the time the presenter shows the maps, I switch off and check the weather on my mobile phone.

This time though, with Brexit looming, I remember that Eurovision has been going on for ages. And it has been about politics. For ages too. This realisation helps me understand why the Brexit Backstop is the real ‘apple of discord’ in the negotiations between the British and the European technocrats.

By the end of the day, Ireland has won Eurovision seven times. An absolute record. Britain only five times, with its most recent victory registered over 21 years ago. As it stands so far, both Ireland and the UK kept their places secure at Eurovision 2019.

I dread to think what would happen if Britain wins and London has to host Eurovision 2020. Or, another dreadful possibility, the Brexit Backstop stays in place and Ireland wins Eurovision again.

©Maria Stadnicka, 2019

Published in International Times on 16 March 2019.

Image

New Poetry Season / The Museum in the Park

Landscape

Photograph ©John Stadnicki

 

 

 

 

 

 

Another midnight storm washes away the cold poetry
born at the top floor.
I balance my whole weight
on long words;
frozen stones on my tongue.

I count the mistakes god has done with me,
just to pass the time.

The violent rain hid a blind dog
inside my very bone.
Here, upstairs, both of us in the same body,
awake and hungry,
listen.

 

©Maria Stadnicka, MMXVII

published in ‘Stride’ magazine, available here

The Chess Game / Jocul de Sah / LitArt

 

Pentru cititorii in limba romana, saptamana aceasta a sosit cu o surpriza minunata. O pagina de poezie publicata in LitArt publicatie lunara de cultura, tiparita la Tg. Mures, sub egida onorifica a filialei locale a Uniunii Scriitorilor.

Multumiri redactorului-sef Adrian Armand Giurgea si echipei redactionale pentru promovarea valorilor culturale romanesti.

Pentru mine are o semnificatie speciala. 14 ani de cand am publicat ultima oara in Romania. 14 ani lungi, foarte lungi, de absenta si de dor. Editia tiparita este distribuita in Romania si poate fi accesata electronic in format pdf aici:

http://www.litart.ro/fileadmin/template/pdf/litart_iunie_iulie_2017.pdf

 

 

For Romanian readers, this week arrives with a beautiful surprise. Nine poems published in LitArt, Tg. Mures, Romania, under the Romanian Writers Association patronage. Gracious thanks to the editor-in-chief Adrian Armand Giurgea as well as the whole editorial team for the great work you are doing in promoting the cultural values of our generation, in Romania and abroad.

This has a particular significance for me, as it marks 14 years since the publication of my last poem written in Romanian. 14 long years.

The magazine is available in print and online, downloadable here:

http://www.litart.ro/fileadmin/template/pdf/litart_iunie_iulie_2017.pdf

Photograph: @Georgiana Calinescu-Barber

‘Imperfect’ is now available ….

 

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This is it. The book is done, the summer arrived. ‘Imperfect’ is published by Yew Tree Press, Philip Rush, Stroud, Gloucestershire, UK and printed by Andrew Morrison, Stroud, UK. Price: £10 with free P&P.

http://www.artistsbooksonline.co.uk/andrew_morrison.shtml

Curator: Jay Ramsay

Photography: @Joss Beeley

Please order the book at mariastadnicka@yahoo.co.uk