Lost in Books in Lostwithiel

 

Come to ‘Lost in Books’ for the launch of A Confusion of Marys (Shearsman Books) w/ Sarah Cave & Rupert Loydell & featuring Special Guest Poet, Maria Stadnicka. Doors open at 6.30pm.

RUPERT LOYDELL is Senior Lecturer in the School of Writing and Journalism at Falmouth University, a writer, editor and abstract artist. He has many books of poetry in print, including Dear Mary, The Return of the Man Who Has Everything, Wildlife and Ballads of the Alone, all published by Shearsman, and Talking Shadows from Red Ceilings. Shearsman also published Encouraging Signs, a book of essays, articles and interviews. He has also authored many collaborative works, several with Daniel Y. Harris; and edited Smartarse and co-edited Yesterday’s Music Today for Knives Forks & Spoons Press, From Hepworth’s Garden Out: poems about painters and St. Ives for Shearsman, and Troubles Swapped for Something Fresh: manifestos and unmanifestos for Salt.

SARAH CAVE is a writer and academic living in Cornwall. She is currently working on a practice-based PhD in Poetry at Royal Holloway. Sarah has published two pamphlets and an illustrated chapbook, like fragile clay, published by Guillemot Press. She has published two collections of poetry, An Arbitrary Line (Broken Sleep Books) and Perseverance Valley (Knives, Forks and Spoons Press). Sarah’s poetry has appeared in numerous journals and anthologies including Oxford Poetry, Tears in the Fence, Shearsman and Eborakon.

Lost in Books is an independent bookshop in Cornwall, United Kingdom. You can find further information about it, here. The address is Lost in Books, Quay Street, Lostwithiel, Cornwall, PL22 0BS, UK.

© Lost in Books

 

© Maria Stadnicka 2020

Kafka

© JStadnicki, 2019. London.

 

The other day, during an afternoon nap,

a tramp came to my door with a letter

for the man in apartment three, ground floor.

 

The knock made me jump, then I thought

I could give out some change in return,

but the beggar refused; he was holding

a bunch of keys and left saying ‘till tomorrow.

 

When I opened the envelope, lying flat

in my bunk, a pair of handcuffs and

steel neck chains dropped on my chest.

 

(From Somnia, collection out now at Knives, Forks and Spoons Press, 2020.)

© Maria Stadnicka 2020


 

Somnia is available here.

Reviews available in International Times and Stride Magazine.

Seeds of Melancholia

2020 catches me off guard. I finish a glass of red wine and start my list of New Year resolutions brushing my teeth. My dentist suggested it, to prevent staining. Spitting paste foam in the sink I notice my second watch shows one past midnight. British time. On the other wrist, my first watch shows one past two. The time in the country I grew up. Youngsters already pissed pints on street corners, on the way home after celebratory fireworks. The end of a decade and all I’m thinking about is how lonely must have been for Ian Seed to share a hotel room with a woman he’d never met. And all due to a booking error.

© Maria Stadnicka 2020


! Recommended reading: Seed, I. (2018) New York Hotel, Bristol: Shearsman Books.  [TSL Book of the Year 2018]

 

‘Somnia’ launched in Stroud

 

‘Somnia’ was launched last night at the Museum in the Park, the Pavilion Garden Room. Beautiful photography from Nikoletta Monyok and it has been a joy to  share the evening with the gifted writers Caroline Shaw, David Clarke, Adam Horovitz and Philip Rush. Thank you Uta Baldauf for a memorable performance, and to Caroline Rush, Philip Rush and Fred Chance for making the launch possible. Thank you for the generosity of our host, The Museum in the Park, to painter Mark Mawer for his artwork, Alec Newman and The Knives Forks and Spoons Press. It felt so special because there were so many people who attended, despite the bleak and windy weather on a Thursday evening. ‘Somnia’ THANKS YOU!📖

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Photography: © Nikoletta Monyok 2019

Cover art: © Mark Mawer 2019

Publisher: Knives, Forks and Spoons Press, UK

Editor: Alec Newman

Further details, on the ‘reviews’ and ‘books’ pages.

‘Somnia’ is available here and here.

Somnia is out now.

Somnia is published by Knives, Forks and Knives Press, 76 pages, £10. Editor: Alec Newman, cover image, collage: © Mark Mawer, 2019.

If Cain and Abel played the piano, Somnia would have been a piece written for them. Following the four movements of Schubert’s Fantasia in F MinorSomnia explores the hidden connections between a group of people who witness a crime as they come out of a cinema.  Reading their testimony, it becomes increasingly apparent that the murderer is bigger than all of them. Bigger than all of us put together. 

 

‘One of the best books of poetry I’ve read this year is Maria Stadnicka’s extraordinarily vivid collection, Somnia.’ (Ian Seed, writer and academic, author of New York Hotel, a TSL Book of the Year)

‘First and foremost, this is a wonderful collection: every poem is an evocative and moving vignette of personal/persona observation at its most poignant as well as uncertain. As readers we cross over surprises to arrive at others – the spaces between are landscapes of everywhere we have and haven’t been, transient like some memories, and as fixed as recurring dreams. […]

As an entity – the poems so often reveal their menace in pervasive rather than direct ways. They work in partnership by a different kind of sharing: obviously, the poetic which is the richly imaginative connections across and within the poems [the superb impact of all], and then there are the forces beyond individual control where our lives are determined by a common dissembling of what we thought was free-will and personal, decisive experience – and this is what we consistently read in them.

Somnia is consistently alluring and enigmatic in its poetic voice. What compels isn’t just the draw into many mysteries, but also Stadnicka’s calm creativity in conveying, for example, the horrors and/or abstractions of these – her poetic voice completely comfortable in its suggestiveness: inventive, provoking, highly visual.’ (Mike Ferguson, International Times, September 2019)

A chisel, a hammer, a lyre; reportage, intimate feelings, quips and criticisms. Maria Stadnicka’s poems are clusters of consciousness, graphic, material images of our world. Her language assaults, bends, cajoles, thrusts a saber into the darkness of the very language she employs to explore death, degradation, the non-recognition of the human individual, war, urban violence, in short, the all-too-present context of our daily lives. […] What concerns Maria Stadnicka? She is speaking about the discontinuity of personal space and the intrusion of economic and political forces in an individual’s life that leads to fragmentation and, ultimately, to the dissolution of one’s reality. The chance for the existence of a future or even the future is removed. Literature becomes the communication and solidarity that permit the step towards wholeness. In Stadnicka’s poems social, personal, and literary landscapes are fused and at times must be forcibly dislocated, both repositioned and torn apart, so that one can continue. The poems create a sense of urgency and mystery. The only escape from the imposed absolute of non-being is resolution to go forward irrationally free.’ (Andrea Morehead, about The Unmoving)

Somnia is available here: Knives, Forks and Spoons Press.

‘Somnia’ is out now.

If Cain and Abel played the piano, Somnia would have been a piece written for them. Following the four movements of Schubert’s Fantasia in F Minor, Somnia explores the hidden connections between a group of people who witness a crime as they come out of a cinema. Reading their testimony, it becomes increasingly apparent that the murderer is bigger than all of them. Bigger than all of us put together.

 

 

Published by Knives, Forks and Spoons Press, Merseyside, UK.

Edited by Alec Newman.

Cover photo, collage created by Mark Mawer.

SOMNIA is available at Knives, Forks and Spoons Press and pre-order at Amazon.

There are so so many people I thank for this. I am grateful for all the support to: Alan Baker, Ionut Boghian, Lesley Burt, Rosie Byrd, David Caddy, Carlie Chabot, Tom Costello, Tom Dwight, Anna Gosson, Beatrice Hitchman, Adam Horovitz, Peter J. King, Jack Little, Morag Kiziewicz, Mark Mawer, Katie McCue, Hugh McMillan, Andrea Morehead, Adelaide Morris, Andrew Morrison, Alec Newman, Stuart Paterson, Hayley Porri, Jay Ramsay, Philip Rush, Hayley Saunders, Aidan Semmens, Steve Spence, John Stadnicki, Natalina Stadnicki, Rick Vick, Samuel de Weer, Jen Whiskerd, Jane Woodend and Neil Young.

Warmest gratitude for the invaluable editorial suggestions and belief in my work to Rupert Loydell, as well as Angela France and Nigel McLoughlin.

Maria Stadnicka, 2019.

If You Find My Mother, Buy Her Flowers / Launch: 6th September, Edinburgh.

 

‘Two unmissable poets – Maria Stadnicka and JoAnne McKay – read from their new book published by The Poets’ Republic Press. This is poetry of superb craft that goes for the jugular in its observation of violence, war, migration and a world that is both familiar and strange.’ (Neil Young, writer and editor)

Friday, September 6th, 7.30pm @ The Waverley, Edinburgh, 3-5 St. Mary’s St., EH1 1TA. 

If You Find My Mother, Buy Her Flowers is written with JoAnne McKay, prefaced and edited by Hugh McMillan, designed by Neil Young, published by The Poets’ Republic Press, Scotland.