Hermit Age

When I get lonely, I visit my local tip. Apart from Wednesdays, I am guaranteed to find someone about, willing to help me get rid of a load of stuff which, up to that point, had prevented me from moving on in life. One time I discarded so much of my old junk that back home I noticed the front door sign was gone, and the post box which had my name on it. I got in and a woman I’d never met before was moving about hoovering. She was wearing my shoes.

© Maria Stadnicka January 2021

Furniture Without Memory

© JStadnicki ‘The Wait’ January 2021

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ask about someone lost

in an escape gone wrong /

 

they will point at a place

of returning where things

 

talk themselves out of paper

so loudly it is impossible

 

to miss them even if you can

barely hear at all / peculiar how

 

eternal-now locks everything

indoors / before too long

 

hair grows in old toys

in furniture without memory

 

© Maria Stadnicka, January 2021

 

It Has Snowed,

(for F. M. )

 

after many hospital visits

and the nurse has left a message

that you are now an embryo.

 

Chromosome – parity – sequence:

one, two, four then another snowfall

before your mother and I buy curtains.

 

It is a strange place for snow, our road,

our house and the courtyard with dried herbs

grieving for your lateness. Miracle Grow.

 

In hindsight, if magic existed

it would have been weaponised by now.

Trust science with your heart,

 

grow spare valves, ventricles for all the lies

the world tells you. The biggest deceit is

that your future is set in stone.

 

© Maria Stadnicka, January 2021

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

‘The Geometric Kingdom’ is out now.

 

In The Geometric Kingdom, Rupert Loydell and Maria Stadnicka write about loss, grief and mourning, and explore how memory, faith and ritual facilitate the relationship between the living and the dead. 

Publisher: Knives, Forks and Spoons Press, UK.

Editor: Alec Newman 

 

 

‘Loydell is mining themes that resonate with our times, leading to collaborations with a talented array of fellow poets, allowing for a synergistic pulse of varied views. He and his fellow travelers ask difficult questions and offer open-ended answers through the time-tested holy triad of ethos, logos, and pathos.’

 – Joey Madia, X-Peri

‘Stadnicka’s poetics is one of craftmanship, wherein she carefully walks the tightrope of surreal poetic metaphor and the gritty realism of investigative journalism and broadcasting. Drawing on her experiences in both, Stadnicka’s writing culminates into a distinctly inventive literary landscape.’

 – Bryony Hughes, Stride

 

The Geometric Kingdom is now available at Knives, Forks and Spoons Press  it can also be ordered on Amazon as well as various local bookshops. 

 

“Sleepwalking into the Abyss”

Earlier in the week, a few anglo-american media agencies mentioned the ‘quartet of despotism’ in reference to the international reaction to the election results in the US. It could have been a slip of the tongue, or maybe a warning sign that things are not over until are over.

Yesterday, The Guardian, The Independent [yes, I know] picked it up again and included Timothy Snyder’s analysis on the current developments. It reminded me of a talk Snyder gave in Amsterdam in 2017, in which he looked at the contributing factors to the current state of affairs. I’ve only just ‘re-found’ it: ‘Can history save us from ourselves?

The talk is long and if you are short for time, begin with minute six and listen for about 45 minutes.

The fact that The Independent, currently owned by the former KGB officer Alexander Lebedev, has picked this up too, is in itself worthy of further attention. 

Maria Stadnicka, 12 Nov 2020

Domestication

Illustration © Claire Palmer, 2020 for International Times.

Thank you for calling our service. You are
fifth in the queue. An operator will be
with you shortly. In the meantime, watch
the beasts in our zoo through the keyhole.
Please observe safety precautions and
remain in your vehicle. A lion born in captivity
has recently been reported missing.

Thank you for calling our service. You are
fourth in the queue. Apologies for the delay.
All our operators are busy at present. 
We are experiencing unexpected disruption,
someone will be with you shortly. For information
in your own language, access online tutorials.

Thank you for calling our service. You are
third in the queue. The operators hear
shouting and screaming outside the call centre,
high alert. Please remain in your vehicle
and lock the doors. Our clients’ welfare is
very important except in emergency situations
when staff come first. To survive the jungle,
you have to become animal.

Thank you for calling our service. You are
second in the queue. All our operators
are dealing with a serious incident.
We are sorry for this inconvenience.
The background music contains sounds
which you may find distressing.
Press zero to return to the main menu,
press one to continue listening.

Thank you for calling our service. You are
next. Please have your bank details ready.
Bear with us and someone will be with you
as soon as possible. To listen to these
options again, press star. To keep on,
please hold. You are next. You arrr…

Good morning, sorry to keep you waiting,
you are through to the Samaritans. How
                              can we help you today?

© Maria Stadnicka, 2020. Published in International Times on 24 October 2020.

Homología

© Maria Stadnicka: ‘In Vitro’, ink on card, 2018

 

 

(fragment)

 

Father they signed me up for research 

and as soon as the paperwork passed 

the Ethics Committee, they asked for

samples of tissue from my left eye. 

 

Sacrifice my vision in the name of science, 

check my womb for blackness but say black

only if you really mean it. Father, we all eat 

pasta with mud and no-one complains that

 

the earth lacks seasoning. Yes, please, I need

another portion of this, sleep-walk 

into the garden, repeat instructions

from qualified staff:  Take a deep breath!

                                    Take a deep breath!

 

                                                          Amen.

 

© Maria Stadnicka, October 2020

Full version published in International Times on 10 October 2020. Available at: http://internationaltimes.it/homologia/.

Video

The Garden Reveals Itself / Night Mix

It has been an inspiring collaboration with the composer Andrew Heath. There are more surprises coming but for now a short clip as I was reading ‘The Garden Reveals Itself’, included in Andrew’s latest album The Alchemist’s Muse.

Andrew Heath / Photography © Alexander Caminada

The Alchemist’s Muse continues Andrew Heath’s exploration of minimalism, textures and sonic artefacts like radio static and mechanical noises. Andrew’s work is process-led – he places exquisite clusters of piano notes and guitar drones among warm layers of electronics and treated field recordings, manipulating the results with both analogue tape machines and digital software.

 
I leave you to decide who or what are the alchemist and their muse.”
 
There is also this text… that I will use to create a post at the same time… and is about the actual track.
 
The Garden Reveals Itself (night mix)
 
The Garden Reveals Itself (night mix), is a completely different version of the same title from Andrew’s album, ‘Evenfall’. Of course, again the title refers to the poem by Maria Stadnika however, here on ‘The Alchemist’s Muse’, the work is warmer, darker and far more intimate as Maria whispers her words directly into your ears.
 
“I have long admired the work of Romanian born poet, Maria Stadnika and we collaborated together on ‘The Garden Reveals Itself’ from my earlier album, ‘Evenfall’. When I recorded Maria, I also asked her to create a whispered version of her poem. I love the sound and thought of a very intimate voice so close to you. As I was working on the music for this track, it occurred to me that it had a very close, warm sound. As though you were wrapped in blankets in the deep, still dark of night. It was an obvious next step to merge the two and create a ‘night mix’ for her stunning piece.”

The Alchemist’s Muse is available as a CD as well as download here.


At Eye Level / Art Exhibition / 30 Sep – 5 Oct 2020

‘At Eye Level’ / 30 Sep 2020 / Art book and art exhibition

At Eye Level is a book, it is also an exhibition, it is also a meeting place for four friends. The book opens dialogue and collaboration between poet, painter, printer and photographer which gravitates towards interdependent yet autonomous responses to each other’s particular focus within the political space.

The title At Eye Level references both measuring and aligning (theodolite eye) but also our unique human viewpoint with it’s near and far focus – both minutiae and overview.

The exhibition takes place at The Lansdown Art Gallery / Lansdown Hall, Stroud, Gloucestershire, GL5 1BB.

Opening times: Wed. 30 Sep: 9am – 8pm and Thu. 1st Oct – Mon. 5th Oct: 9am – 5pm. 

The art gallery is ‘COVID-safe’ and it has in place the current health and safety requirements to protect the public from spreading or contacting COVID-19. Hand sanitiser will be provided and please ensure that you wear a face mask or face covering if you visit the exhibition. Thank you.



 

Mark Mawer is a painter based in Goodwick, Pembrokeshire. Over the past forty years he has exhibited regularly in the UK and abroad, and has work in private collections. He worked as a lecturer at Stroud School of Art and on the BA Hons Visual Arts at Cheltenham and Gloucester College of Higher Education. He retired from teaching in 2013 but continues to work from his studio on the West Wales Coast.

 

Andrew Morrison is a book artist and letterpress printer who makes hand-made, limited edition books. His work is in many national collections including The British Library, the Tate, the Southbank and British Council special collections. He has lectured widely in the UK, most recently at the University of Gloucestershire, Cheltenham. His workshop is currently based near Cirencester, Gloucestershire. Further information about his work can be accessed at www.andrewmorrisonbooks.uk.

John Stadnicki is a photographer and lecturer at SGS College (previously Stroud School of Art, Lansdown). He has been seriously involved in photography since 1981 and completed his MFA in Documentary Photography at the University of Wales in 2008. His photography reveals and reflects the human unease in the socio-political landscape. John still uses film in most of his work.

Maria Stadnicka is a writer, editor and freelance journalist based in Gloucestershire, United Kingdom. She is currently a PhD researcher at University of the West of England, Bristol. Her writing explores social identity, cultural theory and the ethics of memory. She is the author of Somnia (2020, KFS Press, UK), The Unmoving (2018, Broken Sleep Books, UK), Imperfect (2017, Yew Tree Press, UK) and the forthcoming poetry-documentary collection Buried Gods Metal Prophets (2021, Guillemot Press, UK). She recently performed her work at Edinburgh Festival, Cheltenham Literature Festival, Oxford University, Tears in the Fence Poetry Festival. Further information about her work can be accessed at http://www.mariastadnicka.com


Note: During opening times the gallery will follow the safety guidance on social distancing in public spaces.

 

Coming on Tuesday, 25th August 7.30 pm, British zoom time

You are cordially invited to join us on Tuesday 25th August at 7.30pm for a poetry reading like no other: Kelvin Corcoran with The Republic of Song (Parlor Press, 2020), Aidan Semmens with There Will Be Singing (Shearsman, 2020), Maria Stadnicka with Somnia (Knives, Forks and Spoons, 2020).


There Will Be Singing: Aidan Semmens’s fifth collection of poems moves from the range of the world to the deeply personal, always placing the detail in historical context. Employing a variety of poetic techniques, he moves from the moral ambiguities of empire to the run-in to Brexit; from a reworking, forty years on, of the poem for which he was awarded the Cambridge University Chancellor’s Medal, to the breakdown of language suffered by his mother after an ultimately fatal stroke.

“There’s an exuberance of the poet in full stride. Typically, the phrasing and imagery are seductive and of the physical world being lived. Learning is carried lightly, erudition not pushed at the reader but drawn into the lyricism.” —Kelvin Corcoran


Somnia: included among the best books to read during pandemic by The Telegraph Arts critics, Somnia is a series of dark, surreal fables, often set in war-torn state – (Tristam Fane Saunders, The Telegraph). ‘Stadnicka’s poetics is one of craftmanship, wherein she carefully walks the tightrope of surreal poetic metaphor and the gritty realism of investigative journalism and broadcasting’ (Bryony Hughes, Stride)Somnia is accomplished and timely, built on acute observation and drawn without judgement. The poems focus on the darker sides of humanity, the intrusion on every day lives by the political forces and show solidarity with those simply trying to protect family and survive’ (Emma Lee, The Journal).


The reading will take place on the Zoom platform and it is free. Email mariastadnicka@yahoo.co.uk for the link and password.

Look forward to seeing you there!



Books available here:

Aidan Semmens, There Will be Singing is available at Shearsman BooksPoetry Book Society.

Kelvin Corcoran, The Republic of Song is available at Parlor Press.

Maria Stadnicka, Somnia is available at KFS PressAmazon, Poetry Book Society.


August 2020