Photography © John Stadnicki, May 2020
Writer Ian Seed (author of New York Hotel, a TSL Book of the Year) wrote: ‘one of the best books of poetry I’ve read this year is Maria Stadnicka’s extraordinarily vivid collection, Somnia.’
‘Stadnicka’s poetics is one of craftmanship, wherein she carefully walks the tightrope of surreal poetic metaphor and the gritty realism of investigative journalism and broadcasting.’ (Briony Hughes, writer and critic, Stride Magazine, October 2019)
‘Somnia is consistently alluring and enigmatic in its poetic voice. What compels it’s Stadnicka’s calm creativity in conveying the horrors and/or abstractions of these – her poetic voice completely comfortable in its suggestiveness: inventive, provoking, highly visual.’ (Mike Ferguson, writer and critic, International Times, September 2019)
Somnia will be launched on 5th December 2019, 8pm. Free entry.
Publisher: Knives, Forks and Spoons Press.
Editor: Alec Newman
Cover artwork: Mark Mawer
It started with one drawing, followed by an art installation, then an art exhibition.
Created by the young artist Robin Watkins-Davis, The SHIFT Project: Art Transforms is now setting the scene for outreach projects, participatory workshops based on contemporary art, well-being, music, dance and poetry.
The project is focused on creating community collaborations, bringing together art and movement, to support well-being and to improve mental health.
The SHIFT Project takes place 12-18th October 2019 | St Laurence Church, Stroud, GL5 1AP. The full programme is available here. Click here to find out more about it, to support the students, artists and to get involved.
I am delighted to support The SHIFT Project: Art Transforms. My performance inspired by the SHIFT art installation will take place on Sunday, 13thOctober at 5.30pm, at St Laurence Church. It includes texts from latest collection SOMNIA, published by The Knives Forks Spoons Press.
The SHIFT Project: Art Transforms brings together 17 local organisations and charities and 37 artists. You can make a difference and support the project here. Thank you and look forward to seeing you @SHIFT.
The SHIFT Project is also supported by: SGS College, Create Gloucestershire, Strike a Light, VRC Publishing and Curating, CORE Lighting, Barnwood Trust, Diocese of Gloucester, Stroud Sacred Music Festival, Arts Award, School of Larks, ACP, Stroud Visual Arts (SVA), Bliss by Robin, Stroud Yoga Space, Look Again, Fair Shares, Gloucester Gateway Trust & All Pulling Together.
Maria Stadnicka, 2019
A bit of local history. Lewis & Hole started melting iron in 1946, immediately after the Second World War. Many people from Stroud remember the building, which used to be the centre of Dudbridge area of Stroud.
This is a set of images taken by photographer John Stadnicki in 1993, a few years before the foundry was closed down, following redevelopments in the late 1990s. Although the work conditions were as close to Dante’s Inferno as you can imagine, people were proud of their contribution to the local industry.
Photography: © John Stadnicki, 1993.
The Stroud Book Festival is thrilled to once again be hosting an eclectic line-up of poets and poetry from Gloucestershire and beyond.
The first poet on the bill is multi-award-winning poet and broadcaster, Daljit Nagra, on Thursday 8th November at Wycliffe College, one of the festival’s splendid sponsors. Nagra, who was the first ever poet in residence at BBC Radio 4, will be reading from his latest book, ‘British Museum’, as well as earlier books, including the Forward Prize-winning ‘Yes We Have Coming to Dover!’
“He’s a marvellous reader of his work,” says Adam Horovitz, who will be introducing him on the night, “and his questing, questioning, witty and politically pertinent poems are well worth discovering aloud as well as on the page.”
On Friday 9th November, the Stroud Book festival Poetry Night offers up a wonderfully varied and immersive evening of readings, performance and music by a hand-picked bill of acclaimed poets, in two parts.
The first part brings together three poets with Gloucestershire connections: Kate Carruthers Thomas, Patrick Mackie and Maria Stadnicka. It closes with acclaimed Welsh poet and singer Paul Henry and will be compered by Adam Horovitz.
“On Saturday 10th November we’ll be celebrating the work of Gloucestershire poet and composer Ivor Gurney with a one-woman show starring writer and actor Jan Carey, to mark the 100th anniversary of the end of World War One,” says the festival’s artistic director Caroline Sanderson. “Author, Composer, Soldier-of-a-sort: The Life and Work of Ivor Gurney is fresh from an acclaimed run at the Edinburgh Fringe this summer and we are delighted to bring the show to Stroud.
“We round off our poetry programme on Sunday 11th November with a magical family event inspired by nature,” adds Caroline. “We hope that children of all ages will come and meet Frann Preston Gannon, illustrator of the poetry anthology I-am-the-seed-that-grew-the-tree.
“It’s a glorious new gift anthology of 365 nature poems for children, spanning over 400 years of poetry, and including the work of poets as diverse as William Blake, Roger McGough, Carol Ann Duffy, John Agard, Eleanor Farjeon and William Wordsworth. As well as a chance to enjoy the poetry-telling, Frann will be encouraging children aged 6 and above to create and illustrate their very own nature poem.”
How to book tickets:
In person: at The Subscription Rooms, Stroud
By phone: by calling 01453 760900
Online at https://stroudbookfestival.org.uk
Photography: ©John Stadnicki, 2018
In recent months, I have been visiting my local surgery on a weekly basis and it has become a matter of routine to book visits and then wait my turn to be seen and checked. A matter of luck to have so many appointments, but not so lucky to have to report the effects all this prescribed medication have on me and then to find out that everything has been recorded, that the doctor has noticed if I washed my hair or not, or if I wear black, too much of it, or if I smiled or not. But then who cares anyway. I am the number written in all my medical history and my number defines my apprehension to allergies and infections.
It is the flu season, therefore busy. This morning a woman takes her nail file from her handbag and finishes her manicure just before she is called in. A man in his thirties, in a dark grey suit, with muddy brogues, on the phone with someone called Helen organises his daily appointments. The person sitting next to me finishes a BLT and wipes his hands on my chair then keeps on texting. The waiting room, packed. At 11 o’clock, twenty-two people in waiting, talking, texting, arguing, having coffee. Busier here than the bus station just across the road. And these people, most of them, look lonely. And for this, we now have a new solution and a new scope.
This week the Cabinet announced a new appointment. A minister for loneliness in response to a documented increase in mental health cases, to a reported sense of disconnection and social isolation. According to figures published by The Guardian, we are talking here about nine million people, which is a significant slice of loneliness in the British society. Furthermore, NHS Digital shows that prescriptions for antidepressants reached an all-time high with over 64 million items dispensed in 2016. And this represents a massive 108.5% increase in a period of ten years.
This is a clear indication that we now institutionalise loneliness spending billions on pharmaceutical companies when very few alternative solutions are available to the local communities. We witness a serious lack of professional support for people suffering from mental health issues, although it is statistically recognised that one person in five is affected, at some point in their life, by mental health issues. Yes, about the time to do something about it. But what the government is choosing to do is to add to the amount of bureaucratic garbage the ministerial departments produce on a weekly basis, without concrete results or impact at the deeper levels of our society. Let’s talk further numbers.
A minister cashes in over £141,000 a year, without bonuses, travel and communication expenses, without the support staff and other technological aids. You could double or triple the sum and easily get over the half a million threshold. A mental health nurse’s annual income, at the beginning of their career, barely touches £22,000. My local surgery, or others across the UK, could easily benefit from employing further ten newly qualified nurses or a few therapists. I live in a small community where resources are stretched and stretched further and where, at times, waiting for hours to be seen by a practitioner has become an acceptable rule.
Who benefits from a new ministerial portfolio when it is historically demonstrated that no institution has ever protected the individual, when, actually, the institution is there to protect itself through complicity to a policy of silence against corruption, error and monetary gains?
I want a Ministry of Despair!
©Maria Stadnicka, 2018