© JStadnicki 2014
With the Doomsday Clock adjusted to one hundred seconds to midnight, it seems that the scientific community points a finger to the inevitable end which could engulf the world any day now. It is a narrative we are used to from history manuals and our recent past. Textbooks are full of numbers and data.
Unifications and destructions, wars and peace treaties, revolutions and resolutions. The collective conscious, mapped by dichotomies, makes better sense of realities when they are placed in opposition. It is a cultural binary thinking, focused on good-better-best and bad-worse-worst. It is easier to make meaning of things in conflict, as it is easier to understand war better than peace.
History always takes a closer look at how cultures come into being and how they are destroyed, and takes less time to look at what happened in between. The complexities of development entail, besides time, a higher level of engagement and perception. The consistent preoccupation with the specifics of our apocalypse is not just the measure of our own selfishness, but a fundamental thinking flaw, characterised by fear and apathy.
Looking at how communities got to meet their ends, without taking time to reflect on solutions, is bound to bring the finale even closer. Fear and adrenaline rush end up in apathy. They have done so for thousands of years, and brought us where we are today.
© Maria Stadnicka 2020
© JStadnicki, Paris 2019
Technology and I are not on good terms as of late. Due to limited memory space, mobile apps keep freezing. Vodanex contacted me a few times already with updated offers then with sound advice which I politely requested to have mailed over. The experts suggest that my memory clutter is most probably coming from the BooksApp; too many pages left open in standby. The longest kept on the waiting list has been Is God Happy?* I flick through an essay on socialism which Leszek Kolakowski started at page fifty-eight and finished at sixty-four. My phone pings: Congratulations! Time for a break! You now reached your daily reading goal!
© Maria Stadnicka 2020
[From ‘Hermit Age’ sequence published in International Times on 25/01/2020.]
* Kolakowski, L. (2012) Is God Happy? Selected Essays, London: Penguin Modern Classics.
© JStadnicki, 2020
It looks like a lorry’s parked outside, just by a flower pot. I am arguing with online friends about class differences, ideologies, lack of revolutionary zeal, young-black versus white-old. Reversing over the pot, the lorry crashes into my neighbour’s house. I pause the argument to look for a quote from On Disobedience in the pile of books due to go to charity shops. Police and fire brigade should be on their way. There might be questions needing answers about circumstance, and whether anybody tried changing the course of events. My neighbour and I, maybe the driver, would have. The writer of this account would have too, by swiftly changing the lorry’s position from here, to somewhere at the far back of the landscape. Yet some would argue that for centuries barbarism solved all our problems by force and violence, proving to be such a success.
© Maria Stadnicka 2020
© Maria Stadnicka, November 2019.
The SHIFT Project started with an art installation created by the young Tasmanian artist Robin Watkins-Davies. It developed in a set of events taking place 12th-16th Oct 2019 at St. Laurence Church, Stroud, which bring together contemporary art, music, dance, exhibitions, workshops, presentations, poetry. It supports young people’s mental health, bringing awareness of the artistic potential of our movement. Further details about SHIFT and the oncoming events here.
Maria Stadnicka, October 2019
Watching the British parliamentary debate last night was a painful experience. The political class has proven to be a group asking and answering its own questions, loyal to its own ideology, pushing the societal divide even further. The televised mockery, wave of insults and well-rehearsed propaganda made parents sent their children to bed early. Many would like to forget what has just happened and, maybe, if possible, to erase the whole chapter from history books. Politicians say ‘they are tired’, referring to the general public watching the live broadcast.
There has been much discussion about the fact that ‘people’ are tired of this Brexit issue, and want it resolved. We are led into believing that we are all tired, and that the public irascibility is caused by the unresolved crisis launched by the Brexit referendum. It is worth remembering that the ‘people’ have not, in fact, created this crisis. In 2016, most people minding their own lives and jobs have been made aware of the referendum by politics. This ‘need’ was man-made, the present democratic crisis was politically manufactured.
For this reason, I am not tired to go back to history books and to dig out examples when freedom of speech and social institutions have been silenced by unelected leaders. Yesterday’s proroguing of Parliament has a great significance, as it creates a historic precedent by limiting the actions of an institution created to question and to challenge governmental decisions. In this context, I wonder who is governing the Government now.
I become increasingly aware that our legacy is defined by the fact that we have taken the democratic values and institutions for granted. Democracy does not defend itself. Democracy can be safeguarded by people keeping a close eye on those governing, and by being involved in decisional processes. Democracy can be defended when people’s values and principles are clear and are functioning. When people are willing to easily give up these values and principles, we face political tragedy.
© Maria Stadnicka, September 2019.
© John Stadnicki, 2019.
The other day, during an afternoon nap,
a tramp came to my door with a letter
for the man in apartment three, ground floor.
The knock made me jump, then I thought
I could give out some change in return,
but the beggar refused; he was holding
a bunch of keys and left saying ‘till tomorrow.’
When I opened the envelope, lying flat
in my bunk, a pair of handcuffs and
steel neck chains dropped on my chest.
© Maria Stadnicka, 2019
Poem published in Osiris, U.S., Vol. 88, July 2019.