Rite

Sunday lingers on scent of paint,
tobacco and spring. Our kitchen-war
sprouts from a conversation on books
about people we both know. I say

I’d met doctor Zhivago queuing
at Nero’s, heard him asking a barista
about the fate of taiga-trees
at the height of a mining season.

You think they are cut short then stop
growing. I lock my paperbacks
in a cupboard; they remind us
of all the ink twisted in verse, seeded

in layers of gravel. Our verbs reach
the pit of a quarry and seal over.
Snow forests shoot up in tears,
we trip over cables in our flat.

 

© Maria Stadnicka 2020

Published in ‘Stride Magazine’on 26 Feb 2020.

 

Gallery

Wales 2020

Binaries

© JStadnicki 2014

With the Doomsday Clock adjusted to one hundred seconds to midnight, it seems that the scientific community points a finger to the inevitable end which could engulf the world any day now. It is a narrative we are used to from history manuals and our recent past. Textbooks are full of numbers and data.

Unifications and destructions, wars and peace treaties, revolutions and resolutions. The collective conscious, mapped by dichotomies, makes better sense of realities when they are placed in opposition. It is a cultural binary thinking, focused on good-better-best and bad-worse-worst. It is easier to make meaning of things in conflict, as it is easier to understand war better than peace.

History always takes a closer look at how cultures come into being and how they are destroyed, and takes less time to look at what happened in between. The complexities of development entail, besides time, a higher level of engagement and perception. The consistent preoccupation with the specifics of our apocalypse is not just the measure of our own selfishness, but a fundamental thinking flaw, characterised by fear and apathy.

Looking at how communities got to meet their ends, without taking time to reflect on solutions, is bound to bring the finale even closer. Fear and adrenaline rush end up in apathy. They have done so for thousands of years, and brought us where we are today.

© Maria Stadnicka 2020

Hermit Age

© JStadnicki, Paris 2019

Technology and I are not on good terms as of late. Due to limited memory space, mobile apps keep freezing. Vodanex contacted me a few times already with updated offers then with sound advice which I politely requested to have mailed over. The experts suggest that my memory clutter is most probably coming from the BooksApp; too many pages left open in standby. The longest kept on the waiting list has been Is God Happy?* I flick through an essay on socialism which Leszek Kolakowski started at page fifty-eight and finished at sixty-four. My phone pings: Congratulations! Time for a break! You now reached your daily reading goal!

© Maria Stadnicka 2020

[From ‘Hermit Age’ sequence published in International Times on 25/01/2020.]


* Kolakowski, L. (2012) Is God Happy? Selected Essays, London: Penguin Modern Classics.

Duende

© JStadnicki, 2020

It looks like a lorry’s parked outside, just by a flower pot. I am arguing with online friends about class differences, ideologies, lack of revolutionary zeal, young-black versus white-old. Reversing over the pot, the lorry crashes into my neighbour’s house. I pause the argument to look for a quote from On Disobedience in the pile of books due to go to charity shops. Police and fire brigade should be on their way. There might be questions needing answers about circumstance, and whether anybody tried changing the course of events. My neighbour and I, maybe the driver, would have. The writer of this account would have too, by swiftly changing the lorry’s position from here, to somewhere at the far back of the landscape. Yet some would argue that for centuries barbarism solved all our problems by force and violence, proving to be such a success.

© Maria Stadnicka 2020

Gallery

Edinburgh 2019

This slideshow requires JavaScript.

© Maria Stadnicka, November 2019.

The SHIFT Project / 12th – 16th Oct / St. Laurence Church

 

This slideshow requires JavaScript.

The SHIFT Project started with an art installation created by the young Tasmanian artist Robin Watkins-Davies. It developed in a set of events taking place 12th-16th Oct 2019 at St. Laurence Church, Stroud, which bring together contemporary art, music, dance, exhibitions, workshops, presentations, poetry. It supports young people’s mental health, bringing awareness of the artistic potential of our movement. Further details about SHIFT and the oncoming events here.

Maria Stadnicka, October 2019