Lockdown in Midlands / Week #5 / United Kingdom

Photography © John Stadnicki, 2020

 

Gloucestershire in Lockdown, April 2020

Photography: © John Stadnicki, April 2020


The photographs were taken on the way to local shops in Stroud and Gloucester, Midlands, Gloucestershire, UK. 1-2 April 2020.

Art Climate

Sculpture © Khalil Chishtee

Artist Khalil Chishtee creates work from discarded plastic bags, expressing feelings of sorrow, dejection and even victimhood. He creates art from used plastic bags and he believes that art needs to lead to self-discovery and to a deeper understanding of ourselves and others.

Before the climate change entered the public debate, Chishtee (2010) reflected on the notion of recycling in some cultures which was not directly linked to environmental awareness, but with human greed. He referred to his experience and life in Pakistan, before moving his studio to the US.

Here is an interview with Khalil Chishtee, published in Art Now: Contemporary Art of Pakistan.  He currently lives and works in both US and Pakistan.

© Maria Stadnicka, 2020


More information about Khalil Chishtee’s work and major biennales participation is available here.

 

The SHIFT Project: Art Transforms / 12th-18th October 2019

 

It started with one drawing, followed by an art installation, then an art exhibition.

Created by the young artist Robin Watkins-Davis, The SHIFT Project: Art Transforms is now setting the scene for outreach projects, participatory workshops based on contemporary art, well-being, music, dance and poetry.

The project is focused on creating community collaborations, bringing together art and movement, to support well-being and to improve mental health.

The SHIFT Project takes place 12-18th October 2019 | St Laurence Church, Stroud, GL5 1AP. The full programme is available here. Click here to find out more about it, to support the students, artists and to get involved.

I am delighted to support The SHIFT Project: Art Transforms. My performance inspired by the SHIFT art installation will take place on Sunday, 13thOctober at 5.30pm, at St Laurence Church. It includes texts from latest collection SOMNIA, published by The Knives Forks Spoons Press.

The SHIFT Project: Art Transforms brings together 17 local organisations and charities and 37 artists. You can make a difference and support the project here. Thank you and look forward to seeing you @SHIFT.

The SHIFT Project is also supported by: SGS College, Create Gloucestershire, Strike a Light, VRC Publishing and Curating, CORE Lighting, Barnwood Trust, Diocese of Gloucester, Stroud Sacred Music Festival, Arts Award, School of Larks, ACP, Stroud Visual Arts (SVA), Bliss by Robin, Stroud Yoga Space, Look Again, Fair Shares, Gloucester Gateway Trust & All Pulling Together.

Maria Stadnicka, 2019

If You Find My Mother, Buy Her Flowers / Launch: 6th September, Edinburgh.

 

‘Two unmissable poets – Maria Stadnicka and JoAnne McKay – read from their new book published by The Poets’ Republic Press. This is poetry of superb craft that goes for the jugular in its observation of violence, war, migration and a world that is both familiar and strange.’ (Neil Young, writer and editor)

Friday, September 6th, 7.30pm @ The Waverley, Edinburgh, 3-5 St. Mary’s St., EH1 1TA. 

If You Find My Mother, Buy Her Flowers is written with JoAnne McKay, prefaced and edited by Hugh McMillan, designed by Neil Young, published by The Poets’ Republic Press, Scotland.

Poetry Night @Stroud Book Festival 2018

Wales. Time spent somewhere other than here.

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‘It is unfortunately hard to recall our quasi-permanent concern with the future, for on our return from a place, perhaps the first thing to disappear from memory is just how much of the past we spent dwelling on what was to come; how much of it, that is, we spent somewhere other than where we were.’  (de Botton, 2002)

Photography: ©John Stadnicki, 2018

Selfie(sh) Culture

Study I, 2018

Study II, 2018

 

 

 

 

 

Study IV, 2018

Study III, 2018

 

 

 

 

 

 

Study VI, 2018

Study V, 2018

 

 

 

 

 

 

 

 

Photography: ©John Stadnicki, 2018