Photography: ©International Times, 2018
(to Aidan Semmens)
Hello. I am a feature
on a CCTV camera, with
private resonance. At
the top floor, I
can barely sleep for the sound of gunfire.
I hear the poetry when I order a pizza.
Still there, are you?
…‘yeah, […published in ‘International Times’ to read click] here
It has been a privilege to be part of it. Tears in the Fence Poetry Festival gathered this year a multitude of diverse and poignant poetic voices and discourses. With a challenging theme – The Politics of Engagement. This created an opportunity for new paths of poetic inquiry as well as an opportunity to explore the concept of art / poetry as a dynamic and potent channel engaged within, not removed from, the current socio-political issues.
This is a snapshot from the discussion with David Caddy, the festival director. A conversation which looked at the tridimensional concept of a poet as a:
- curse – he assumes the duty to observe the reality of current socio-economic developments and creatively responds to its imperfections.
- marathon runner– he is preoccupied with expressing his vision through long-term exploration of linguistic possibilities. Further, he identifies tensions between his conscience and the world.
- subversive weapon – he recognises the artist’s responsibility to challenge complacency, to question authority and to, finally, place himself at the heart of what one defines the transformative power of change.
With many thanks to David Caddy and Tears in the Fence group and magazine.
And so many thanks to so many new friends: Valerie Bridge, Morag Kiziewicz, Gerald Killingworth, Peter J. King, Charlie Wilkinson, Steve Spence, Melisande Fitzsimons, Clive Gresswell, Aidan Semmens, Norman Jope, Mike Duggan, John Philips, Jo Waterworth, Camilla Nelson, Ric Hool, Sarah Alice, Nancy Gaffield, Anna Powney, Mandy Pannett.
Look forward to a bright future.