Wind Noose

 

Art work © Mark Mawer, Backwater (2019).

 

There is a break in hostilities.

Long enough to exchange prisoners,

embalm scattered shirt buttons.

 

A temporary ceasefire to inearth

our collateral losses then pause

for a live broadcast at midday.

 

Coloured bar charts hurry up to

catch the moment cyber runners

reach their finishing lines. Race over.

 

Winners grow up to have long legs,

fitted for mile-wide life hurdles.

Empty seats line up in combat gear.

 

© Maria Stadnicka, October 2020

At Eye Level / Art Exhibition / 30 Sep – 5 Oct 2020

‘At Eye Level’ / 30 Sep 2020 / Art book and art exhibition

At Eye Level is a book, it is also an exhibition, it is also a meeting place for four friends. The book opens dialogue and collaboration between poet, painter, printer and photographer which gravitates towards interdependent yet autonomous responses to each other’s particular focus within the political space.

The title At Eye Level references both measuring and aligning (theodolite eye) but also our unique human viewpoint with it’s near and far focus – both minutiae and overview.

The exhibition takes place at The Lansdown Art Gallery / Lansdown Hall, Stroud, Gloucestershire, GL5 1BB.

Opening times: Wed. 30 Sep: 9am – 8pm and Thu. 1st Oct – Mon. 5th Oct: 9am – 5pm. 

The art gallery is ‘COVID-safe’ and it has in place the current health and safety requirements to protect the public from spreading or contacting COVID-19. Hand sanitiser will be provided and please ensure that you wear a face mask or face covering if you visit the exhibition. Thank you.



 

Mark Mawer is a painter based in Goodwick, Pembrokeshire. Over the past forty years he has exhibited regularly in the UK and abroad, and has work in private collections. He worked as a lecturer at Stroud School of Art and on the BA Hons Visual Arts at Cheltenham and Gloucester College of Higher Education. He retired from teaching in 2013 but continues to work from his studio on the West Wales Coast.

 

Andrew Morrison is a book artist and letterpress printer who makes hand-made, limited edition books. His work is in many national collections including The British Library, the Tate, the Southbank and British Council special collections. He has lectured widely in the UK, most recently at the University of Gloucestershire, Cheltenham. His workshop is currently based near Cirencester, Gloucestershire. Further information about his work can be accessed at www.andrewmorrisonbooks.uk.

John Stadnicki is a photographer and lecturer at SGS College (previously Stroud School of Art, Lansdown). He has been seriously involved in photography since 1981 and completed his MFA in Documentary Photography at the University of Wales in 2008. His photography reveals and reflects the human unease in the socio-political landscape. John still uses film in most of his work.

Maria Stadnicka is a writer, editor and freelance journalist based in Gloucestershire, United Kingdom. She is currently a PhD researcher at University of the West of England, Bristol. Her writing explores social identity, cultural theory and the ethics of memory. She is the author of Somnia (2020, KFS Press, UK), The Unmoving (2018, Broken Sleep Books, UK), Imperfect (2017, Yew Tree Press, UK) and the forthcoming poetry-documentary collection Buried Gods Metal Prophets (2021, Guillemot Press, UK). She recently performed her work at Edinburgh Festival, Cheltenham Literature Festival, Oxford University, Tears in the Fence Poetry Festival. Further information about her work can be accessed at http://www.mariastadnicka.com


Note: During opening times the gallery will follow the safety guidance on social distancing in public spaces.

 

Until tomorrow / Free online reading 16th June, 7.30pm

Photograph: @John Stadnicki – MMXVIII

An opportunity to hear new work, as well as fragments from Somnia.

SOMNIA (front cover) published by The Knives Forks Spoons Press, April 2020.

Event organised by Gloucester Poetry Festival!

Registration and further information: here.

Thank you! Maria

Until tomorrow, you can listen to:

 

‘The Seventh Virtue’.

 

 

Note:
Latest book Somnia published this year by the Knives, Forks and Spoons Press was released on 6th April and can be ordered from the following independent bookshops:

Banner Books (Ennistymon)
http://bannerbooks.ie

Book Corner (Saltburn-by-the-Sea)
bookcornershop.co.uk

The Bookshop (East Grinstead)
eastgrinsteadbookshop.co.uk

Brendon Books (Taunton)
brendonbooks.co.uk

Bridge Bookshop (Isle of Man)
bridge-bookshop.com

Browsers Bookshop (Porthmadog)
browsersbookshop.com

Gullivers Bookshop (Wimborne)
booksandvinyl.co.uk/gullivers

Gnash Comics
gnashcomics.co.uk

Gwisgo Bookworm (Aberearon)
gwisgobookworm.co.uk

Haslemere Bookshop (Haslemere)
haslemerebookshop.co.uk

Hungerford Bookshop (West Berkshire)
hungerfordbookshop.co.uk

Lindum Books (Lincoln)
facebook.com/lindumbooks

Mostly Books (Abingdon)
mostly-books.co.uk

Niche Comics and Bookshop (Cambridgeshire)
nichecomics.co.uk

Red Lion Books (Colchester)
redlionbooks.co.uk

Sam Read Bookseller (Grasmere)
samreadbooks.co.uk

Wivenhoe Bookshop (Essex)
wivenhoebooks.com

The Woodstock Bookshop
woodstockbookshop.co.uk

Further information about her work, collaborations and reviews at http://www.mariastadnicka.com.

Join us on Zoom (you will need to register for a ticket in order to receive the pass-code):-

https://zoom.us/j/93290445542

Dial in to join by phone if you wish:-

+44 330 088 5830
+44 131 460 1196
+44 203 481 5237
+44 203 481 5240
+44 208 080 6591
+44 208 080 6592

Find your local number: https://zoom.us/u/aeg9xXpiad


15th June 2020

16 June, 7.30pm (UK time). Free event online!

 

An opportunity to hear new work as well as fragments from Somnia.

Event organised by Gloucester Poetry Festival!

Registration and further information: here.

Thank you!

Note:
Latest book Somnia published this year by the Knives, Forks and Spoons Press was released on 6th April and can be ordered from the following independent bookshops:

Banner Books (Ennistymon)
http://bannerbooks.ie

Book Corner (Saltburn-by-the-Sea)
bookcornershop.co.uk

The Bookshop (East Grinstead)
eastgrinsteadbookshop.co.uk

Brendon Books (Taunton)
brendonbooks.co.uk

Bridge Bookshop (Isle of Man)
bridge-bookshop.com

Browsers Bookshop (Porthmadog)
browsersbookshop.com

Gullivers Bookshop (Wimborne)
booksandvinyl.co.uk/gullivers

Gnash Comics
gnashcomics.co.uk

Gwisgo Bookworm (Aberearon)
gwisgobookworm.co.uk

Haslemere Bookshop (Haslemere)
haslemerebookshop.co.uk

Hungerford Bookshop (West Berkshire)
hungerfordbookshop.co.uk

Lindum Books (Lincoln)
facebook.com/lindumbooks

Mostly Books (Abingdon)
mostly-books.co.uk

Niche Comics and Bookshop (Cambridgeshire)
nichecomics.co.uk

Red Lion Books (Colchester)
redlionbooks.co.uk

Sam Read Bookseller (Grasmere)
samreadbooks.co.uk

Wivenhoe Bookshop (Essex)
wivenhoebooks.com

The Woodstock Bookshop
woodstockbookshop.co.uk

Further information about her work, collaborations and reviews at http://www.mariastadnicka.com.

Join us on Zoom (you will need to register for a ticket in order to receive the pass-code):-

https://zoom.us/j/93290445542

Dial in to join by phone if you wish:-

+44 330 088 5830
+44 131 460 1196
+44 203 481 5237
+44 203 481 5240
+44 208 080 6591
+44 208 080 6592

Find your local number: https://zoom.us/u/aeg9xXpiad


June 2020

Water Sequence

‘Water Sequence’ poem © Maria Stadnicka, 2020

The poem ‘Water Sequence’ features in the latest collection ‘Somnia’ published by the Knives, Forks and Spoons Press, United Kingdom and it is officially released today.

‘Somnia’ is now available here and here.

Cover art work © Mark Mawer, 2019

Photography: © John Stadnicki, 2020

Original music ‘Vide Cor Meum’ © Patrick Cassidy and Hans Zimmer for ‘Hannibal’ (2001).

SOMNIA Knives, Forks, Spoons Press / Sep. 2019


 

Shooting Position

 

We queue at the airport,

pretending to watch

a lunar eclipse.

 

We fear sharp objects.

Passengers hold boarding passes up,

flags in a moving crusade.

 

All windows are half-open,

but nobody looks out.

Heat seals glossy layers

of mist over my homeland.

 

We have outgrown the raincoat

tripping over someone’s thoughts

in the two-minute stop between stations.

 

At odd times, the planes take off.

Letters drop from above

on neighbouring gardens,

 

seeds growing tall in silent parks.

We remove luggage tags, barely notice

the music of a mid-air explosion.

 

Blades of grass stand ready to shoot.

 

© Maria Stadnicka 2020


‘Shooting Position’ is published in Somnia, out now at Knives, Forks and Spoons Press, UK.

‘Shooting Position’ was initially published in Meniscus, The Journal of Australasian Association of Writing Programmes, Canberra, Australia.

‘Somnia’ launched in Stroud

 

‘Somnia’ was launched last night at the Museum in the Park, the Pavilion Garden Room. Beautiful photography from Nikoletta Monyok and it has been a joy to  share the evening with the gifted writers Caroline Shaw, David Clarke, Adam Horovitz and Philip Rush. Thank you Uta Baldauf for a memorable performance, and to Caroline Rush, Philip Rush and Fred Chance for making the launch possible. Thank you for the generosity of our host, The Museum in the Park, to painter Mark Mawer for his artwork, Alec Newman and The Knives Forks and Spoons Press. It felt so special because there were so many people who attended, despite the bleak and windy weather on a Thursday evening. ‘Somnia’ THANKS YOU!📖

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Photography: © Nikoletta Monyok 2019

Cover art: © Mark Mawer 2019

Publisher: Knives, Forks and Spoons Press, UK

Editor: Alec Newman

Further details, on the ‘reviews’ and ‘books’ pages.

‘Somnia’ is available here and here.

Somnia is out now.

Somnia is published by Knives, Forks and Knives Press, 76 pages, £10. Editor: Alec Newman, cover image, collage: © Mark Mawer, 2019.

If Cain and Abel played the piano, Somnia would have been a piece written for them. Following the four movements of Schubert’s Fantasia in F MinorSomnia explores the hidden connections between a group of people who witness a crime as they come out of a cinema.  Reading their testimony, it becomes increasingly apparent that the murderer is bigger than all of them. Bigger than all of us put together. 

 

‘One of the best books of poetry I’ve read this year is Maria Stadnicka’s extraordinarily vivid collection, Somnia.’ (Ian Seed, writer and academic, author of New York Hotel, a TSL Book of the Year)

‘First and foremost, this is a wonderful collection: every poem is an evocative and moving vignette of personal/persona observation at its most poignant as well as uncertain. As readers we cross over surprises to arrive at others – the spaces between are landscapes of everywhere we have and haven’t been, transient like some memories, and as fixed as recurring dreams. […]

As an entity – the poems so often reveal their menace in pervasive rather than direct ways. They work in partnership by a different kind of sharing: obviously, the poetic which is the richly imaginative connections across and within the poems [the superb impact of all], and then there are the forces beyond individual control where our lives are determined by a common dissembling of what we thought was free-will and personal, decisive experience – and this is what we consistently read in them.

Somnia is consistently alluring and enigmatic in its poetic voice. What compels isn’t just the draw into many mysteries, but also Stadnicka’s calm creativity in conveying, for example, the horrors and/or abstractions of these – her poetic voice completely comfortable in its suggestiveness: inventive, provoking, highly visual.’ (Mike Ferguson, International Times, September 2019)

A chisel, a hammer, a lyre; reportage, intimate feelings, quips and criticisms. Maria Stadnicka’s poems are clusters of consciousness, graphic, material images of our world. Her language assaults, bends, cajoles, thrusts a saber into the darkness of the very language she employs to explore death, degradation, the non-recognition of the human individual, war, urban violence, in short, the all-too-present context of our daily lives. […] What concerns Maria Stadnicka? She is speaking about the discontinuity of personal space and the intrusion of economic and political forces in an individual’s life that leads to fragmentation and, ultimately, to the dissolution of one’s reality. The chance for the existence of a future or even the future is removed. Literature becomes the communication and solidarity that permit the step towards wholeness. In Stadnicka’s poems social, personal, and literary landscapes are fused and at times must be forcibly dislocated, both repositioned and torn apart, so that one can continue. The poems create a sense of urgency and mystery. The only escape from the imposed absolute of non-being is resolution to go forward irrationally free.’ (Andrea Morehead, about The Unmoving)

Somnia is available here: Knives, Forks and Spoons Press.

‘Somnia’ is out now.

If Cain and Abel played the piano, Somnia would have been a piece written for them. Following the four movements of Schubert’s Fantasia in F Minor, Somnia explores the hidden connections between a group of people who witness a crime as they come out of a cinema. Reading their testimony, it becomes increasingly apparent that the murderer is bigger than all of them. Bigger than all of us put together.

 

 

Published by Knives, Forks and Spoons Press, Merseyside, UK.

Edited by Alec Newman.

Cover photo, collage created by Mark Mawer.

SOMNIA is available at Knives, Forks and Spoons Press and pre-order at Amazon.

There are so so many people I thank for this. I am grateful for all the support to: Alan Baker, Ionut Boghian, Lesley Burt, Rosie Byrd, David Caddy, Carlie Chabot, Tom Costello, Tom Dwight, Anna Gosson, Beatrice Hitchman, Adam Horovitz, Peter J. King, Jack Little, Morag Kiziewicz, Mark Mawer, Katie McCue, Hugh McMillan, Andrea Morehead, Adelaide Morris, Andrew Morrison, Alec Newman, Stuart Paterson, Hayley Porri, Jay Ramsay, Philip Rush, Hayley Saunders, Aidan Semmens, Steve Spence, John Stadnicki, Natalina Stadnicki, Rick Vick, Samuel de Weer, Jen Whiskerd, Jane Woodend and Neil Young.

Warmest gratitude for the invaluable editorial suggestions and belief in my work to Rupert Loydell, as well as Angela France and Nigel McLoughlin.

Maria Stadnicka, 2019.