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New Poetry Season / The Museum in the Park

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The Pink Chernobyl

‘Poetry at Pembroke’ is a series of poetry readings organised by Peter King, lecturer in philosophy at Pembroke College. The beautiful grounds bring together a wide range of national and international poets, readers, critics, musicians, students, on Mondays at 6pm.

With great joy and enthusiasm, I will be performing at Pembroke on Monday 19th February, at 6pm with the composer Janet Davey.

Janet Davey and Peter J. King performing at Pembroke College, 2017.

Janet and I have a few things in common. Radio broadcasting. Both involved in news. Janet worked for the BBC World Service, I worked for Radio Europa Nova and then for Radio Hit Romania. We share the love for music, for poetry and for sound. And we share a common memory. The Chernobyl accident 26th April 1986. I was eight years old and went to a nearby gymnasium school. 26th April 1986 was a Saturday. In those days, we went to school six days a week and, on Sundays, we had homework. There was nothing else for us children to do. We had no television during communism, there were no magazines and we had only two newspapers. I had started to write poetry by that time; write on old notebooks, on my mother’s factory coupons, on food wrapping paper. We had no books at home, so I wrote to have something to read in the evenings.

Once a month after that Saturday, the school’s paediatrician would come to deliver our iodine tablets quota. We had to swallow one every day for almost a year. We kept breathing and eating and learning and sleeping and growing, not knowing why the iodine was good for us. The boys mostly played with the sweetish small tablets or used them as crayons. I was a short-haired nervous girl. Shy and small for my age, and I think I took them all, with precision. Or maybe for fear of being publicly reprimanded during political propaganda lessons we had on Wednesdays.

Around the same time, Janet was in London producing a live telephone programme, with Sue MacGregor between London and Moscow for BBC World Service and BBC R4. Jan noticed on the “wires” a cloud over Finland and more. The interviewee, set up by Jan, was Georgi Arbatov, Soviet spokesperson. He was asked about this cloud……and told the world. The rest is history.

These two journeys met 31 years later. The composer Janet Davey and I will be performing at ‘Poetry in the Pink’. I will be reading from my collection ‘Imperfect’ published by Yew Tree Press (Philip Rush) and the forthcoming book ‘Uranium Bullets’, with original piano music and orchestration produced by Janet Davey’s grace.

Thank you, Peter King for your brilliance in promoting poetry and thank you, Janet Davey for your superb music.

The event takes place at Mary Hyde Eccles Room, Pembroke College, OX1 1DW.
Monday, 19 February 2018, at 6pm. 
Free entry and books available!

The Chess Game / Jocul de Sah / LitArt

 

Pentru cititorii in limba romana, saptamana aceasta a sosit cu o surpriza minunata. O pagina de poezie publicata in LitArt publicatie lunara de cultura, tiparita la Tg. Mures, sub egida onorifica a filialei locale a Uniunii Scriitorilor.

Multumiri redactorului-sef Adrian Armand Giurgea si echipei redactionale pentru promovarea valorilor culturale romanesti.

Pentru mine are o semnificatie speciala. 14 ani de cand am publicat ultima oara in Romania. 14 ani lungi, foarte lungi, de absenta si de dor. Editia tiparita este distribuita in Romania si poate fi accesata electronic in format pdf aici:

http://www.litart.ro/fileadmin/template/pdf/litart_iunie_iulie_2017.pdf

 

 

For Romanian readers, this week arrives with a beautiful surprise. Nine poems published in LitArt, Tg. Mures, Romania, under the Romanian Writers Association patronage. Gracious thanks to the editor-in-chief Adrian Armand Giurgea as well as the whole editorial team for the great work you are doing in promoting the cultural values of our generation, in Romania and abroad.

This has a particular significance for me, as it marks 14 years since the publication of my last poem written in Romanian. 14 long years.

The magazine is available in print and online, downloadable here:

http://www.litart.ro/fileadmin/template/pdf/litart_iunie_iulie_2017.pdf

Photograph: @Georgiana Calinescu-Barber

Thought

Just before midnight, in the unpreventable moment

my mother woke up to give birth to me,

I jumped out and spilt her blood on the floor.

 

My first angry poem, scream at the top of my lungs,

in the pale room.

 

A dormant city blessed the muddy wreath above the cradle

and

asked me to keep the noise down.

 

Mother went back to bed.

 

The following day I learnt to

write on white walls with red letters.

 

Games During the Cold War

The winter Clara and I secretly discovered socialism

we had nothing left in the house

that was worth burning.

 

The frost surrounded the bedroom,

we talked to keep warm

and I suggested to write on the walls.

 

We used the kitchen knife to sharpen crayons

and kept at it for a couple of hours.

‘All western countries, enemies of the people!

Kill the foreigners!

Kill Ronald Reagan!’

I thought Ro-nald was such a bad name

for a man who never wrote children books,

probably he deserved to die.

 

My spelling was not very good at that age,

so the room filled with rainbows instead.

Clara and I laughed.

 

At that point, we felt hungry and I remembered

mother kept the bible covered with cloth

on top of the fridge

so I lifted the shiny red cover, sliced it in very small pieces

and added water and salt.

The feast carried on for a bit.

 

Clara and I chewed with determination several chapters.

We almost got half way through

when I read: ‘Then there shall be a time of trouble …for

every one that shall be found written in the book.’

 

And then, in the middle of our small apartment,

the game stopped.

I went back to the wall

and changed the words around.

‘Ro-land, orphan but free’.

piazza-del-duomo-milano-2

 

 

 

 

 

 

 

 

Photograph: @John Stadnicki, ‘Piazza’, 2016

 

Lesson of Admiration

Clara peels the potatoes.
She had her hair cut very short
so when she worked the land
the teary locks did not blight the grass.
‘Bad luck for the crops’ concluded father
one afternoon as he watched the news bulletin.

He switched the television off and
put the lights on.
He measured the length of each eyelash
and declared that ‘yes, indeed, they did stop us
understand the real life’.

Nobody could disagree with a scientific discovery.
Father took the scissors out of the cupboard
and laughed at me
as he dropped Clara’s plaits on the living room carpet.
My black plaits never grew after that.
The hair developed inside my lungs.
At night, I spat the growing particles out
and hid them under the floor boards.

Father believed the news as, he said, ‘we all
had to believe in something certain,
which can be seen with the naked eye,
in real things’, like the soiled potatoes
spread on the dinner table.

On Thursdays, we peel potatoes,
kneeling in silence by the water pipes.
Father sits on a stool to watch
my weekly exercise of admiration.
He checks the peels stained with droplets of blood
and laughs again.

My bald head tilted above the sink looks at Clara.
My hair comes
out of my mouth,
out of my chopped fingers,
floats in the air,
to cover her skull.

20140426-121653.jpg
Photograph: John Stadnicki