Mslexia reviews ‘Buried Gods Metal Prophets’

‘Stadnicka’s fourth collection is inspired by the experiences of her siblings who lived in a Romanian children’s home during the time (1967-1989) when the Communist Party banned contraception and abortion. Around 12 million illegal abortions took place and over 250,000 children were placed in care homes and orphanages. The collection also draws on Stadnicka’s experiences as a teacher with HIV-positive children at a Romanian orphanage, and on interviews with women who performed illegal abortions. The book explores the effects of trauma and state oppression, as well as the realities of social, political and historical crises.

Stadnicka’s writing has a disquieting quality, which may be due in part to its difficult subject matter as well as the author’s own lived experience. The language is precise and austere, often relating shocking detail in a deadpan tone. ‘Radioactive milk’ relates how ‘One night / the curse shoots out of her womb / and starts walking. / For some reason / the newly born survives’. The book explores the tragic voices of both staff and abandoned children at the orphanages. One poem, written from the perspective of a child with AIDS, ends heartbreakingly, ‘I feel rather proud. / Someone has given me a name other than dog’. Forms include historical documents, short lyric poems, diary entries and textual experimentation. Keenly observed details add touches of surrealism: ‘The moon falls asleep / above your head’; an angel who ‘stops to light a cigarette’.

Maria Stadnicka is a Romano-British writer, editor and journalist based in Gloucestershire. Previous collections include Somnia and The Geometric Kingdom. Stadnicka is a PhD researcher at the University of the West of England, researching trauma and migration. Recognition for her Romanian work includes the Porni Luceafarul, Convorbiri Literare and T Arghezi awards.

A compelling collection from an independent press. Thee book is beautifully made and designed with haunting illustrations by Antonia Glückman, which enhance its atmosphere of darkness and tragedy.’

© Jennifer Lee Tsai, Mslexia Issue 89, March – May 2021.

 


Buried Gods Metal Prophets is available here.

Wind Noose

 

Art work © Mark Mawer, Backwater (2019).

 

There is a break in hostilities.

Long enough to exchange prisoners,

embalm scattered shirt buttons.

 

A temporary ceasefire to inearth

our collateral losses then pause

for a live broadcast at midday.

 

Coloured bar charts hurry up to

catch the moment cyber runners

reach their finishing lines. Race over.

 

Winners grow up to have long legs,

fitted for mile-wide life hurdles.

Empty seats line up in combat gear.

 

© Maria Stadnicka, October 2020

Leviticus

Painting © Manuell Manastireanu, 2020

to Anne-Marie

 

We’d have peace if we meet

at a cemetery, she says,

 

but once there graves open,

the dead ask for headlines.

 

The good news is that I am

in the same place as Moses

 

walking around life when

sands shift. I reach my desert

 

retouching roots that match

the colour of parents’ home.

 

I forgot where they live now;

as close as my skin, as far as

 

a memory from when I was five.

There must be a house nearby

 

where someone stays awake

to warm up bottles of milk.

 

Instead of looking for it, I hold

a telescope aimed at the sky

 

marching past stray pebbles.

 

 

© Maria Stadnicka, June 2020

Lost in Books in Lostwithiel

 

Come to ‘Lost in Books’ for the launch of A Confusion of Marys (Shearsman Books) w/ Sarah Cave & Rupert Loydell & featuring Special Guest Poet, Maria Stadnicka. Doors open at 6.30pm.

RUPERT LOYDELL is Senior Lecturer in the School of Writing and Journalism at Falmouth University, a writer, editor and abstract artist. He has many books of poetry in print, including Dear Mary, The Return of the Man Who Has Everything, Wildlife and Ballads of the Alone, all published by Shearsman, and Talking Shadows from Red Ceilings. Shearsman also published Encouraging Signs, a book of essays, articles and interviews. He has also authored many collaborative works, several with Daniel Y. Harris; and edited Smartarse and co-edited Yesterday’s Music Today for Knives Forks & Spoons Press, From Hepworth’s Garden Out: poems about painters and St. Ives for Shearsman, and Troubles Swapped for Something Fresh: manifestos and unmanifestos for Salt.

SARAH CAVE is a writer and academic living in Cornwall. She is currently working on a practice-based PhD in Poetry at Royal Holloway. Sarah has published two pamphlets and an illustrated chapbook, like fragile clay, published by Guillemot Press. She has published two collections of poetry, An Arbitrary Line (Broken Sleep Books) and Perseverance Valley (Knives, Forks and Spoons Press). Sarah’s poetry has appeared in numerous journals and anthologies including Oxford Poetry, Tears in the Fence, Shearsman and Eborakon.

Lost in Books is an independent bookshop in Cornwall, United Kingdom. You can find further information about it, here. The address is Lost in Books, Quay Street, Lostwithiel, Cornwall, PL22 0BS, UK.

© Lost in Books

 

© Maria Stadnicka 2020