Across Language: Translation & Opportunity

Belfast Book Festival Vahni Capildeo, Eiléan Ní Chuilleanáin, Maria Stadnicka, Brian Holton & Paddy Bushe 

Across Language: Translation & Opportunity

Date: Saturday 11 June 2022

Time: 4:00 PM – 5:30 PM

Price: Pay What You Want – recommended price £7

Age Range: 16+ years

Venue: The Crescent

Is writing in another language an opportunity for creative freedom?

How is poetry affected by poets working across more than one language?

Join us for an afternoon of discussion and readings that will explore not only acts of literary translation but also the many modes of translation available across disciplines.  

Vahni (Anthony Ezekiel) Capildeo FRSL is a Trinidadian Scottish writer of poetry and non-fiction. Capildeo’s eight books and eight pamphlets include Like a Tree, Walking (Carcanet, November 2021) and The Dusty Angel (Oystercatcher, 2021). Their interests include plurilingualism, traditional masquerade, and multidisciplinary collaboration. They are Writer in Residence and Professor at the University of York, a Visiting Scholar at Pembroke College, Cambridge, and an Honorary Student of Christ Church, Oxford.

Maria Stadnicka is a writer, editor and freelance journalist who is currently a PhD researcher and associate lecturer at the University of the West of England. Her writing explores social identity, transgenerational trauma transmission, cultural theory and the ethics of memory. She is the author of five poetry collections and her poetry was highly commended for the Forward Poetry Prize 2021. Her latest collection Buried Gods Metal Prophets (2021) was included among the best poetry books of 2021 by The Telegraph and the collection, Somnia (2020), was named one of the best poetry books to read in 2020. Her latest collection, Uranium Bullets is forthcoming in 2022. She recently performed her work at Edinburgh Festival, StAnza International Poetry Festival and Cheltenham Literature Festival. She is a contributor to International Times (UK) and Dissident Voice (US). 

Paddy Bushe is a poet and translator in both Irish and English. He has published thirteen collections of poetry, and has translated the work of Somhairle MacGill-Eain, Cathal Ó Searcaigh, Gabriel Rosenstock, Zhang Ye and Ceaití Ní Bheildiúin. The recipient of the Oireachtas Prize for Poetry in 2006, he also received the 2006 Michael Hartnett Poetry Award and the 2017 Irish Times Poetry Now Award. His most recent books are Peripheral Vision, a collection in English, and Second Sight, a selection of his poems in Irish with his own translations into English, both from Dedalus Press in 2020. 

Born in Cork, Irish poet, translator, and editor Eiléan Ní Chuilleanáin is the author of numerous poetry collections, including The Mother House (2020), The Boys of Bluehill (2015), which was shortlisted for the Forward Prize for Best Collection and The Sun-fish (2010), which won the International Griffin Poetry Prize. She has translated numerous books including The Legend of the Walled-Up Wife (2012) by the Romanian poet Ileana Malancioiu and co-translated Nuala Ní Dhomhnaill’s The Water Horse (2001) with Medbh McGuckian. 

Brian Holton is a translator of modern and classical Chinese poetry and fiction, into both English and Scots. He has been a university teacher and broadcaster. Brian is also a poet, singer, and songwriter, and regularly performs on stage and has appeared at literary festivals in many countries, giving talks or readings in the USA, Canada, Europe, the Far East, and New Zealand.

ERASURES at STANZA, Scotland 12 March 2022

Once upon a StAnza… Stories and narrative have long had an important role to play in our making sense of what it means to be human  and to live in our communities and environment, and in negotiating how this might alternatively look. StAnza, Scotland’s International Poetry Festival, 2022 (7-14 March) will focus on ‘Stories like starting points’, exploring the opportunities and the pitfalls of stories, ranging over narrative poetry, prose poetry, re-writing old stories and imagining new ones, reportage, process / chance narratives, myth /epic.

The festival brings together a superb line-up and I feel so excited to be part of the journey on Saturday 12 March at 2pm. Will be performing and discussing the ethics of writing about difficult narratives with Alice Hillier and Annemarie ni Chuirrean.

ERASURES will take place live at the Byre Theatre Auditorium, Sat. 12 March 2022, 2pm-3.30pm, and will also be broadcasted online via zoom.

For information, details and tickets to the live event at the Byre Theatre Auditorium, please access the link: ERASURES: What we cannot say and how we say it. (The Byre Theatre)

For information, details and tickets to the online event, on zoom, please access the link: ERASURES: What we cannot say and how we say it (online).

The discussion will focus on emotive and difficult themes, and will explore the techniques and approaches when finding words for things that can’t easily be said. Through use of hand-erasure techniques in bird of winter, Alice Hiller discovers transient holding places for the darkness of being groomed and sexually abused in childhood. Maria Stadnicka’s Buried Gods Metal Prophets is a poetic documentary exploring the lived experiences of children in care during the Romanian communist dictatorship which ended in 1989. Annemarie ni Chuirrean will join from Ireland via Zoom to read from and speak about The Poison Glen, a collection at whose heart sits the story of the stolen or missing child, including work responding to a long-gone Foundling Hospital in Dublin and bearing witness to family loss and cultures of silence in Ireland.

Thank you, StAnza 2022!

Rob A. Mackenzie reviews ‘Buried Gods Metal Prophets’ for Magma

Review published in Magma No. 81 ‘Anthropocene’ 2021.

From The Telegraph, November 2021

Buried Gods Metal Prophets (2021) is published by the Guillemot Press, edited by Luke Thompson and Sarah Cave, illustrations and design: Antonia Glücksman. The book is available here.

‘Domestication’ for Printed Poetry Symposium, Centre for Print Research UWE Bristol, 14 Oct 2021

‘Domestication’ Maria Stadnicka and Andrew Morrison, October 2021

For Printed Poetry Symposium Andrew Morrison and Maria Stadnicka have documented the process of making a collaborative print – a dialogue between poet (who also draws) and letterpress artist (who also writes). The poem reaches towards appropriate visual form as letterpress variations are passed between the two. Maria and Andrew have worked together on a number of projects involving written/spoken word and visual arts; most recently Andrew’s letterpress collages made in response to Maria’s poems from Buried Gods Metal Prophets (Guillemot Press, 2021).

Printed Poetry Symposium is organised by Angie Butler for the Centre for Print Research, UWE, Bristol. and takes place on Thursday, 14th October 2021, 2pm at Arnolfini, Bristol.

The event includes talks by: Nancy Campbell, Johanna Darque (Small Press), Antony Dunn (the People Powered Press), Leonard McDermid, Andrew Morrison, Maria Stadnicka, Ndukwe Onuoha, Pat Randle, and Barrie Tullett. Tickets are available here.

© Maria Stadnicka, October 2021.

Domestication. Fragment

Short clip from the video ‘Domestication’ © Andrew Morrison and Maria Stadnicka, 2021

This is a fragment from ‘Domestication’ created by Andrew Morrison and Maria Stadnicka. The video follows the poem ‘Domestication’ (© Stadnicka, 2021) and it is a reflection on how the notions of work, writing and collaboration have changed during the lockdown in the UK, following the spread of the COVID-19 virus.

‘Domestication’ was produced for the Printed Poetry Project, organised by Angie Butler for the Centre for Print Research, UWE, Bristol.

The video and discussion will feature on Thursday, 14th October 2021, 2pm at the Printed Poetry Symposium, Arnolfini, Bristol.

The symposium will include talks by: Nancy Campbell, Johanna Darque (Small Press), Antony Dunn (the People Powered Press), Leonard McDermid, Andrew Morrison, Maria Stadnicka, Ndukwe Onuoha, Pat Randle, and Barrie Tullett. Tickets are available here.

© Maria Stadnicka, September 2021.

Forthcoming: ‘Domestication’

Forthcoming ‘Domestication’: film collaboration with the book artist and printer Andrew Morrison for Arnolfini Bristol.

© Maria Stadnicka, September 2021.

The exhibition TU:PLEI for one more day / 25 July

TU:PLEI, 20-25 July

The exhibition TU : PLEI will be open 20-25 July 2021 at Stroud Brewery, 9am-5pm.

© Maria Stadnicka, 22nd July 2021

Hannah Mathison exhibits at TU : PLEI / 20-25 JULY

© Hannah Mathison: ‘Headspace’

Hannah Mathison whose roots have been in the Cotswolds since the age of three, has been a decorator, gardener and groom, amongst other things, over the years.

She gained a first class honours degree in Fine Art Sculpture in 1997, prior to bringing up a family. This gave her the chance to explore and develop her creativity, which continued to find its way into the spaces in her everyday life – it still does.

Today, as she finds herself in the cut and thrust of an office environment, something she never envisaged for herself, her creativity has become more important than ever.

Talking about her creative process, Hannah says:

“Spending time in my shed reconnects me to my creative self. Wherever I go I collect objects that intrigue or inspire me. I take them home where they wait patiently to be cast in their roles in a new narrative.

The transformation of these objects comes from a quiet but vital part of me that can’t always be heard over the hubbub of the everyday.

The finished pieces are all unique and are made in reaction to my thought processes at the time” (July, 2021).

You can follow Hannah’s work and project on Instagram at hannahccmathison.


Exhibiting artists:

Antonia Glücksman

Zoe Heath

Hannah Mathison

Andrew Morrison

CF Sherratt

John Stadnicki

TU : PLEI is an invitation to engage with the ludic self then to share the experience with others.

TU : PLEI is an art exhibition which brings together drawing, painting, photography, collage, prints, sculpture, installation and montage from artists with a perceptive and individual interpretation on contemporary playfulness.

The exhibition TU : PLEI will be open 20-25 July 2021 at Stroud Brewery, 9am-5pm.

While writing Buried Gods Metal Prophets I often looked back at my childhood games and wondered what they meant then, whether time has given them a different meaning or not. It might have. But surely when the Guillemot Press editors worked on the manuscript, there were moments when my siblings’ chasing in the backyard or ‘soldier-soldier’-game felt untouched and sacred. Precious and private.

At first, sacred to me, later just sweet reminders that childhood play and joy are universal experiences. A child’s laughter and falls and bruises and tears have a collective ‘sameness’ yet our experiences give them unique meaning. A bit like different interpretations of what ‘freedom’ and ‘enjoyment’ are all about. A bit like what being human is all about. After all, war and tragedy, love and disappointment, growth, learning, failure and success are human experiences that repeat themselves despite topological or temporal differences.

Alongside the artwork, I will be reading from Buried Gods Metal Prophets on Thursday 22nd July 6pm. FREE entry! All welcome!

‘Buried Gods Metal Prophets’ 2021

Buried Gods Metal Prophets is published by the Guillemot Press, edited by Luke Thompson and Sarah Cave.

Illustrations and design: Antonia Glücksman.

The book is available here.

© Maria Stadnicka, July 2021

C F SHERRATT exhibits at TU : PLEI / 20-25 JULY

C F Sherratt is a multidisciplinary artist based in Bristol. His work has spanned from fine art practice to commercial illustration, animation and video, as well as musical and sound-based work. After completing an MA in Authorial Illustration at Falmouth University in 2015, he has worked for clients all over the world, received awards and featured in solo and group shows displaying his work.


Talking about what he has planned for TU : PLEI, C F Sherratt says:

The drawing I am showing in TU : PLEI is an experimental drawing which shares some themes visually with previous work, but was made using a process which was new to me, inspired by work I’ve done in the past which involves generative processes, often to create text, I allowed people to anonymously contribute to the work in the form of a short phrase, an image, a subject. I didn’t share the process during any of these interactions, so that the contributors wouldn’t know how their idea would be used or incorporated. All this I did as an act of mischief, an element of play which I have always admired in the art of others, a bit like the exquisite corpse, but resulting in a work with more visual continuity.

The other work I’ll be showing has a clear visual through-line, but was made prior to the exhibition’s conception. There is, however, certainly an element of play to the processes I often use to make my work. Like how children draw before they’re ‘taught’ to make art, I don’t tend to make preparatory sketches, look at a reference image or look at a subject. I admire the work of artists like Brecht Evens and Anna Bhushan, who go into the blank drawing page and start to make a drawing with the final materials, with no preconceptions, allowing the hand to ‘find’ the drawing.

Exhibiting artists:

Antonia Glücksman

Zoe Heath

Hannah Mathison

Andrew Morrison

CF Sherratt

John Stadnicki

TU : PLEI is an invitation to engage with the ludic self then to share the experience with others.

TU : PLEI is an art exhibition which brings together drawing, painting, photography, collage, prints, sculpture, installation and montage from artists with a perceptive and individual interpretation on contemporary playfulness.

The exhibition TU : PLEI will be open 20-25 July 2021 at Stroud Brewery, 9am-5pm.

While writing Buried Gods Metal Prophets I often looked back at my childhood games and wondered what they meant then, whether time has given them a different meaning or not. It might have. But surely when the Guillemot Press editors worked on the manuscript, there were moments when my siblings’ chasing in the backyard or ‘soldier-soldier’-game felt untouched and sacred. Precious and private.

At first, sacred to me, later just sweet reminders that childhood play and joy are universal experiences. A child’s laughter and falls and bruises and tears have a collective ‘sameness’ yet our experiences give them unique meaning. A bit like different interpretations of what ‘freedom’ and ‘enjoyment’ are all about. A bit like what being human is all about. After all, war and tragedy, love and disappointment, growth, learning, failure and success are human experiences that repeat themselves despite topological or temporal differences.

Alongside the artwork, I will be reading from Buried Gods Metal Prophets on Thursday 22nd July 6pm. FREE entry! All welcome!

‘Buried Gods Metal Prophets’ 2021

Buried Gods Metal Prophets is published by the Guillemot Press, edited by Luke Thompson and Sarah Cave.

Illustrations and design: Antonia Glücksman.

The book is available here.

© Maria Stadnicka, July 2021