In a country where all books are forbidden,
the hurricane spits out a new world
with a new legacy of destruction.
People stop by the house with a light on and a blue door,
the house with boarded-up windows where
the mandolin player keeps an eye
on his own basement revolution.
These are the days when the truth learns to
travel on cigarette papers, between prison cells,
before the police arrives
to evacuate.
Ink on paper: ‘Fisherman’, Maria Stadnicka
I made a big fire
In the middle of the room
In your absence I sat down white
Watching the carpet burning,
The books, the shadow you drew
On the wall, a while ago.
( it looked like a piece of absent land )
The neighbours could see the flames
Coming through the shut window
As I went to bed covered in ash;
But I did not mind such a public display.
I was not in a hurry.
The landscape locked me in.
The real winter began.
Acrylics, ink, newspaper: Maria Butunoi
I suddenly stopped and kneeled in the meadow
To look for grasshoppers;
The earth was breathing beneath us
The burning sun tall, so very tall.
You suddenly sat down and placed the violin between us.
Your left hand took the red shining cloth
And wiped the dirt off the wooden strings.
Then I thought to say
Let’s not hurry back home, not today
We have plenty of time yet
Nobody will look for us for a while.
How many poems, you whispered, left unwritten
If I was to lock you in my heart
A black butterfly crushed between
The covers of a sacred book.
Beauty kills like the war does
And still you unravel
The invisible thread which
Keeps both of us alive in the world.
As I stood up to leave
The smoke that kept my bones together for so long
Covered the sky.
My black ashes, your farewell gift.
Photo: Rob Webb
Maria Stadnicka 