Photography © John Stadnicki, May 2020
With the Doomsday Clock adjusted to one hundred seconds to midnight, it seems that the scientific community points a finger to the inevitable end which could engulf the world any day now. It is a narrative we are used to from history manuals and our recent past. Textbooks are full of numbers and data.
Unifications and destructions, wars and peace treaties, revolutions and resolutions. The collective conscious, mapped by dichotomies, makes better sense of realities when they are placed in opposition. It is a cultural binary thinking, focused on good-better-best and bad-worse-worst. It is easier to make meaning of things in conflict, as it is easier to understand war better than peace.
History always takes a closer look at how cultures come into being and how they are destroyed, and takes less time to look at what happened in between. The complexities of development entail, besides time, a higher level of engagement and perception. The consistent preoccupation with the specifics of our apocalypse is not just the measure of our own selfishness, but a fundamental thinking flaw, characterised by fear and apathy.
Looking at how communities got to meet their ends, without taking time to reflect on solutions, is bound to bring the finale even closer. Fear and adrenaline rush end up in apathy. They have done so for thousands of years, and brought us where we are today.
© Maria Stadnicka 2020
A week to go! 12th November 2017 from 10.30 am!
So happy to be part of this and to support an excellent project!
Migration Stories / A Cultural Exchange which celebrates the diversity and the powerful cultural impact of our migrants’ stories and experiences.
‘Spoken languages can both unite and separate human kind. Through education we can learn to speak other languages and this entitles us to appreciate cultures around us. However, linguistics alone are just one conduit of understanding – our sense of what is to be human in the world is also built on non-linguistic cultural experiences – we learn through stories, legends, music, food, dance, festivals, artefacts and images.‘ (Excerpt from Daniel Barenboim, on the 16th July 2017, in an impromptu speech at the Proms Albert Hall.)
12th November 2017 at Museum in the Park, Stroud, Gloucestershire is the first part of a beautiful cultural project which will continue and will develop over the next three months.
The workshop will start at 10.30am at Museum in the Park and will bring together narrators, MA illustrators, poets, writers and photographers.
At 11am we will invite illustrators, photographers, writers, students to listen and to be inspired by the unique stories and memories of those who have experienced the joy, the pain, the comic, the humane journey of those, amongst us, arrived from somewhere else.
The narrators Anita Roy, Dolores Phelps, Maria Stadnicka, Fumio Obata, Ro Saul, John Stadnicki will tell us their memories.
Lunch time – bring and share food from our own heritage
The afternoon will create opportunities for smaller groups to discuss in detail elements of the stories and will begin to consolidate ideas for creative responses.
The creative responses will be completed by 6th December 2017 and a small dedicated team will produce a beautiful new Riso book, ready for the launch on the 22nd of January 2018.
Partners involved: University of Gloucestershire, University of Winchester, SGS Stroud College, Museum in the Park, Stroud, Gloucestershire.
We are looking forward to your participation and contribution!
The next event will on the 22nd November 2017 at Museum in the Park, Stroud, Gloucestershire:
Chaired by Dolores Phelps, MPhil/PhD Researcher, Illustration
9.30 Coffee and introductions
Introduction by Dolores Phelps and Jen Whiskerd
10.15 Presentation by Andrew Melrose
10.45 Presentation by Adelaide Morris
11.15 Presentation by Olivier Kugler
1.00 Presentation by Fumio Obata
1.30 Presentation by Dolores Phelps
2.00 Presentation by TBA OR Panel discussion
2.30 Panel discussion/Q&A – Olivier, Adelaide, Andrew
3pm Closing remarks.
Come along and get involved!
Last month, I was delighted to attend the launch of a new book of poems by Maria Stadnicka, a Romanian-born poet living and working in Stroud. Before coming to the UK in 2003, Maria worked as a radio and TV broadcaster, presenter and radio editor. She also won a series of national poetry prizes. In 2010 she became member of the Stroud Writers Group, Gloucestershire.
I first become aware of Maria’s poetry when Yew Tree Press published her beautifully illustrated short collection A Short Story about War (as Maria Butunoi) in 2014 and her new poems, collected in Imperfect (also Yew Tree Press), are a welcome addition to her English-language work. Maria’s poems are restrained and precisely crafted miniatures: enigmatic narratives shot through with dark humour and surreal detail, they are eminently political, but rarely tackle Politics (with a capital P) head on. In all of these respects, they put me in mind of the work of Greek poet Yannis Ritsos, yet there also seem to me to be echoes of Kafka: the poems record fragile surface realities, beneath which lurk the symptoms of violence and oppression. This is a poetry of unease, and all the more honest for that, but also ultimately a poetry of hope, recording the struggle of the subject to maintain its integrity in troubled times.
Maria has agreed to feature as my guest poet in this post, which presents here poem ‘City’. Of the poem, Maria writes:
‘What can I know?’….’What can I know?’…This is not my question. Immanuel Kant answered it already, a long time ago, and many other thinkers answered it in their own way too. As a society, we slowly learnt to get used to ‘knowing’ everything a priori. When there is no obvious difference between ‘freedom’ and ‘dogma’, what is the point in asking? Everything is ‘google-able’, right?
Happy to be given the answer, happy to steer clear of uncomfortable dirt and pain. Happy and safe. But isn’t that called oppression?
Recently I have been thinking about oppression and the subtle nuances revealed by urbanism. The layers and layers of conformity which are impossible to eradicate without consequences. But then… how else shall we build consensus?
And one afternoon, walking through my working class town, out of the blue an answer kept staring me in the face. There was the rain and the shops closing at 5 o’clock and people hurrying to get the dinner ready. There was an English February, defined by our sleepwalking hyperreality. Me and everybody else: surrendered, crushed.
This afternoon we passed the city prison walls
fighting the wintry wind with a broken umbrella.
It was precisely five o’clock and
a girl on a bicycle overtook an old man
holding a rope.
About the same time,
the ice cream van closed.
The armed police arrived
to disperse the queue with tear-gas.
In the near distance, people ran
between horizontal watermarks
back to their semi-detached
We had nothing to stop for and then, I think,
I paused and
I covered my arms with a piece of history.
David Clarke, poet, thinker and critic. http://athingforpoetry.blogspot.co.uk/p/david-clarke.html
This is it. The book is done, the summer arrived. ‘Imperfect’ is published by Yew Tree Press, Philip Rush, Stroud, Gloucestershire, UK and printed by Andrew Morrison, Stroud, UK. Price: £10 with free P&P.
Curator: Jay Ramsay
Photography: @Joss Beeley
Please order the book at firstname.lastname@example.org
Stroud’s Politics Kitchen presents a musical experience showcasing a new and exciting political paradigm whose time has come – the Politics of the Heart. This is Politics that recognises that we have more in common than that which divides – a more intelligent, courageous and compassionate politics.
The event, on 11th February 2017 at 19.30 – The Subscription Rooms Stroud, features music from the sensational Bristol-based Spiro who are described as “World Music that speaks directly to the soul” – this is a truly unmissable event.
“This is soulful, passionate music, and I love it”, says Peter Gabriel, speaking of Spiro (see links below). If there were a ‘Stroud Sound’, Spiro would surely be it.
They are supported by Jennifer Maidman Music, stellar singer-songwriter and ex-member of the legendary Penguin Café Orchestra, 1984–2007.
Spiro are also supported by Hattie Briggs another wonderful singer-songwriter, inspired by the likes of Joni Mitchell and James Taylor Hattie recorded her debut album, ‘Red and Gold’ with Peter Waterman (Joss Stone/Uriah Heep/Emma Ballantine), as was her second album, ‘Young Runaway’, in 2016.
The event is supported by and features poetry readings with Gabriel Millar, Maria Stadnicka and JoJo Mehta.
Tickets available at Stroud Subscription Rooms: http://www.subscriptionrooms.org.uk/whats-on/politics-of-the-heart-with-spiro/
In a country where all books are forbidden,
the hurricane spits out a new world
with a new legacy of destruction.
People stop by the house with a light on and a blue door,
the house with boarded-up windows where
the mandolin player keeps an eye
on his own basement revolution.
These are the days when the truth learns to
travel on cigarette papers, between prison cells,
before the police arrives
Ink on paper: ‘Fisherman’, Maria Stadnicka