Until tomorrow / Free online reading 16th June, 7.30pm

Photograph: @John Stadnicki – MMXVIII

An opportunity to hear new work, as well as fragments from Somnia.

SOMNIA (front cover) published by The Knives Forks Spoons Press, April 2020.

Event organised by Gloucester Poetry Festival!

Registration and further information: here.

Thank you! Maria

Until tomorrow, you can listen to:

 

‘The Seventh Virtue’.

 

 

Note:
Latest book Somnia published this year by the Knives, Forks and Spoons Press was released on 6th April and can be ordered from the following independent bookshops:

Banner Books (Ennistymon)
http://bannerbooks.ie

Book Corner (Saltburn-by-the-Sea)
bookcornershop.co.uk

The Bookshop (East Grinstead)
eastgrinsteadbookshop.co.uk

Brendon Books (Taunton)
brendonbooks.co.uk

Bridge Bookshop (Isle of Man)
bridge-bookshop.com

Browsers Bookshop (Porthmadog)
browsersbookshop.com

Gullivers Bookshop (Wimborne)
booksandvinyl.co.uk/gullivers

Gnash Comics
gnashcomics.co.uk

Gwisgo Bookworm (Aberearon)
gwisgobookworm.co.uk

Haslemere Bookshop (Haslemere)
haslemerebookshop.co.uk

Hungerford Bookshop (West Berkshire)
hungerfordbookshop.co.uk

Lindum Books (Lincoln)
facebook.com/lindumbooks

Mostly Books (Abingdon)
mostly-books.co.uk

Niche Comics and Bookshop (Cambridgeshire)
nichecomics.co.uk

Red Lion Books (Colchester)
redlionbooks.co.uk

Sam Read Bookseller (Grasmere)
samreadbooks.co.uk

Wivenhoe Bookshop (Essex)
wivenhoebooks.com

The Woodstock Bookshop
woodstockbookshop.co.uk

Further information about her work, collaborations and reviews at http://www.mariastadnicka.com.

Join us on Zoom (you will need to register for a ticket in order to receive the pass-code):-

https://zoom.us/j/93290445542

Dial in to join by phone if you wish:-

+44 330 088 5830
+44 131 460 1196
+44 203 481 5237
+44 203 481 5240
+44 208 080 6591
+44 208 080 6592

Find your local number: https://zoom.us/u/aeg9xXpiad


15th June 2020

Overture

Photo: © JStadnicki, June 2020

Curtains go up on a scene

whose rear walls are shaking;

stagehands clear the background.

Spotlights on at the cast’s entrance.

 

I am your memory, he says,

and the back rows answer

with cheers and whistles. Heat

rises from our seats to the LEDs’

green flicker on the ceiling.

 

Breath-monologue, breath-monologue:

the script unravels, lines break

interrupted by adverts for bleach,

toothpaste, locally sourced colours.

 

The show flows until the speed

of a camera flash sets off a fire alarm.

Curtains down for emergency exit.

 

We push against tar-water dams,

open floodgates then move

to the front seats for a better view.

The theatre holds the roof up.

 

Every moment of terror begins like this.

It matches our lives so well,

It is us performing onstage.

 

© Maria Stadnicka, June 2020

16 June, 7.30pm (UK time). Free event online!

 

An opportunity to hear new work as well as fragments from Somnia.

Event organised by Gloucester Poetry Festival!

Registration and further information: here.

Thank you!

Note:
Latest book Somnia published this year by the Knives, Forks and Spoons Press was released on 6th April and can be ordered from the following independent bookshops:

Banner Books (Ennistymon)
http://bannerbooks.ie

Book Corner (Saltburn-by-the-Sea)
bookcornershop.co.uk

The Bookshop (East Grinstead)
eastgrinsteadbookshop.co.uk

Brendon Books (Taunton)
brendonbooks.co.uk

Bridge Bookshop (Isle of Man)
bridge-bookshop.com

Browsers Bookshop (Porthmadog)
browsersbookshop.com

Gullivers Bookshop (Wimborne)
booksandvinyl.co.uk/gullivers

Gnash Comics
gnashcomics.co.uk

Gwisgo Bookworm (Aberearon)
gwisgobookworm.co.uk

Haslemere Bookshop (Haslemere)
haslemerebookshop.co.uk

Hungerford Bookshop (West Berkshire)
hungerfordbookshop.co.uk

Lindum Books (Lincoln)
facebook.com/lindumbooks

Mostly Books (Abingdon)
mostly-books.co.uk

Niche Comics and Bookshop (Cambridgeshire)
nichecomics.co.uk

Red Lion Books (Colchester)
redlionbooks.co.uk

Sam Read Bookseller (Grasmere)
samreadbooks.co.uk

Wivenhoe Bookshop (Essex)
wivenhoebooks.com

The Woodstock Bookshop
woodstockbookshop.co.uk

Further information about her work, collaborations and reviews at http://www.mariastadnicka.com.

Join us on Zoom (you will need to register for a ticket in order to receive the pass-code):-

https://zoom.us/j/93290445542

Dial in to join by phone if you wish:-

+44 330 088 5830
+44 131 460 1196
+44 203 481 5237
+44 203 481 5240
+44 208 080 6591
+44 208 080 6592

Find your local number: https://zoom.us/u/aeg9xXpiad


June 2020

Colston versus Lenin – Using the Right Channels

Protesters taking down Colston statue. Bristol, UK / 7 Jun 2020

A statue of slave trader Edward Colston was torn down during an anti-racism protest in Bristol. The incident opened an ideological war in my household. We go over the pros and the cons of public disorder acts, we discuss the moral arguments which might justify or condemn these acts, while the Home Secretary, Priti Patel stands in Parliament reproving the thuggery committed by the Bristolian mob. Mayor Marvin Rees takes to national media to disapprove the protesters’ acts of violence during the past weekend. Social media is blasting. Opinion is split. Some ask for prosecution of violent mobsters, others express a sense of connection with the symbolic point made by protesters.

In Bristol, Colston’s statue went down in a matter of minutes, with the authorities’ disapproval. I remember that it took Ukraine 27 years to decide the removal of the infamous statues of Lenin from all its towns and villages. In 2017, all 1,307 statues went down, quietly and slowly, as a sign that Ukraine was finally ready to condemn its pro-soviet past, and to move on. The Ukrainian government went further and renamed streets, urban areas, parks, schools, in a national attempt to heal past injustice and loss of lives during the Soviet Era.

Ukrainians witnessing Lenin’s statue being taken down by local authorities. Aug. 2017

At my dinner table, the conversation is about the role of a peaceful protest in well-established democracies, as the Home Secretary carries on with her speech about the peaceful dialogue which needs to happen in our society. I’m reminded that we have structures in place to make peaceful changes under the common law, and following policies and procedures that safeguard equality in this country. There is a well-known corporate jargon about ‘using the right channels’ which is invoked on occasions when discrimination and inequality are at the centre of disputes between people, groups, societies, organisations.

Each private, public, voluntary, religious organisation, each workplace, each adult, teenager and child knows at least one principle of equality.  And yet, the more we know, the wider the social divide feels to those who have been, at least once, at the receiving end of inequality, of discrimination or injustice.

If we were equal, we should not need to be taught equality by the Home Secretary, as it would be an inherent quality of our social actions. Yet, Power teaches equality lessons using the boot of law against ‘thugs’, ‘criminals’, ‘mobsters’. A sign that we are not ready to recognise the injustice and its roots, nor to break free from past mistakes.

© Maria Stadnicka, June 2020

Week #11 Pandemia / Midlands, United Kingdom

At the end of Week #11, the lockdown measures started to ease off, amid concerns over increase in the ‘R’ number. From 0.7 to 1.1. Some schools are still closed, but some cafes are open for business. The #BlackLivesMatter movement was marked by protests in many towns and cities, including Stroud, Gloucestershire.

Overall, it rained, it yelled, it poured, it angered, then things carried on as usual.

© Maria Stadnicka, June 2020


Photography © John Stadnicki, June 2020, Midlands, UK

Gallery

Black Talks

© Maria Stadnicka, June 2020


Photography: © John Stadnicki

The Triumph of Pity

Photo: © John Stadnicki, 2020

 

Equality does not exist. It has never existed. And yet, losing it creates a sense of boiling anger that keeps me awake at night. When it gets too unbearable, I pick up a Christopher Hitchens book to feel a sense of vindication; there are people angrier than me, and things could be worse than they are. In the current socio-political context, they will probably get worse, but until then my anger is so seductive that I justify it to myself as well as to people around me.

The academic Barry Richards from Bournemouth University looks at anger against the ‘establishment’ in the context of the Brexit referendum, giving it a compelling psychosocial dimension*: anger as ‘narcissistic rage against otherness of the authority’ (2019). The social ‘rage’ felt in 2016 materialised in a rejection of the EU’s perceived authority, in an attempt to reclaim promised freedoms which, up to that point, people did not even think they had missed. The populist propaganda played an important role in mobilising that sense of anger, but it must have stemmed from somewhere else, at a far deeper level. Richards talks about a range of socio-economic conditions which nurture the collective anger; among them, the growing economic inequality, the loss of institutional sovereignty, the social tensions fitting into the equation ‘them and us’.

Although often (but not always) irrational and misunderstood, anger can become a form of projection of our own sense of humiliation and loss of dignity, a symptomatic difficulty in accepting authority. In social terms, authority can take different forms and shapes and it makes its presence felt in social organisations as well as in leadership structures. Anger projected against institutions and leaders is a weakness in democracy; it makes society receptive to manipulations from charismatic frontrunners (individuals or institutions) who/which place themselves outside the corrupt system that the public is ‘upset about.’

The issue with projected anger in complex democracies needs further attention. With multi-media types of interaction, anger is often, and easily, used as a form of social communication. At the same time, it is an inefficient, if not weak, strategy when it meets well-rehearsed discourses from leadership figures who shout loudly, clearly and repeatedly that they would ‘get things done.’ Going further, the cynical aspect of this theory is that the establishment itself knows this too. The establishment knows that anger:

a). can be projected (therefore it has little impact on the practical aspects of governance) and

b). can be manipulated (therefore people can be given ample new reasons to direct their anger at).

More than that, the establishment understands that if a reasonable proportion of the population has enough material resources to participate in the democratic exercise, the anger simmers for a while without reaching boiling point. And even if it reaches that point, the finger points at the angry, and relatively few, elements within the society, accused of flouting the public duty or the civic responsibility.

In this context, my anger confirms the fact that I am not a good citizen but a narcissistic victim of my own inability to control my feelings. My anger is a symptom of my humiliation and a result of my lack of resources. My anger makes me worthy of pity.

 

© Maria Stadnicka, May 2020


* Richards, B. (2019) ‘Beyond the angers of populism: a psychosocial inquiry.’ Journal of Psychosocial Studies, 12 (1-2): 171-183.

Midlands in Lockdown / Week #10 / At Eye Level

Photography © John Stadnicki, May 2020

Fruit Season

Gloucestershire, Midlands, UK / May 2020

I figure out that if you live by water and feel hungry, it takes an afternoon of chewing yesterday’s leftovers to feel mud on your tongue. And if a passer-by gives you a bad apple, you ought to be thankful, appreciate what you’ve got, watching others dying of starvation. But when you hear that the well-wisher was God, which happened to be running late for a meeting in the nearby mansion, you wish you had spat the rotting fruit back at Him. God could have done better. By then it is too late. The meeting He was rushing to would be running on and on for years. For as long as your lifetime.

© Maria Stadnicka, May 2020

Urban Afterlife / Week #9 Midlands in Lockdown / United Kingdom

 


Photography: © John Stadnicki, May 2020