Gallery

World Cup Suburbia

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photography: ©John Stadnicki, 2018

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Wales. Time spent somewhere other than here.

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‘It is unfortunately hard to recall our quasi-permanent concern with the future, for on our return from a place, perhaps the first thing to disappear from memory is just how much of the past we spent dwelling on what was to come; how much of it, that is, we spent somewhere other than where we were.’  (de Botton, 2002)

Photography: ©John Stadnicki, 2018

Selfie(sh) Culture

Study I, 2018

Study II, 2018

 

 

 

 

 

Study IV, 2018

Study III, 2018

 

 

 

 

 

 

Study VI, 2018

Study V, 2018

 

 

 

 

 

 

 

 

Photography: ©John Stadnicki, 2018

Who We Are

Nobody belongs, de facto, to just one place, one culture. Our existence is defined by the involuntary interactions with the world in a continuous change, but we like to believe that we do belong. To a place, a space which can be defined and referred to. And when one belongs ‘somewhere’, everything seems easier to quantify, categorise. And, then, it becomes familiar. The common familiarity which emerges through similitude in language, taste, points of view, landscape brings people closer and it helps to build that sense of togetherness.

Most tragedies have been born out of rejection, out of a deep sense of ‘non-belonging’ and people felt mostly bereaved when they realised their uprooting. The recent developments in Europe, with Brexit, in North America, with Trump’s Wall, and across the world in Myanmar, Sudan, Congo, Somalia, Ukraine, Syria, Peru show that we are ‘on the move’ at a global scale. Politics and economics drive the migration at unprecedented levels and can cement a deep sense of social instability.

Millions of people move from one place to another and remain trapped in the complex process of social migration. In 2017, nearly a quarter of a million people came to Britain. And each person brought in a new narrative with elements of uniqueness and subjectivity. We could say that, in 2017, hundreds of thousands of stories came to Britain too. Untold life experiences, unheard voices; hundreds of years of education, culture, music and skills.

And this is the main focus of ‘Who We Are’ a project initiated by the artist Jen Whiskerd from University of Gloucestershire (UoG) supported by many art students, University of Winchester, illustrators, bookmakers, printers, writers, researchers, photographers. Using eight stories about migration (told by Adelaide Morris, Shelley Campbell, Fumio Obata, Anita Roy, Dolores Phelps, Maria Stadnicka, Ro Saul, John Stadnicki), the UoG art students (undergraduate and postgraduate courses) have produced a brilliant book which will be launched this weekend at Museum in the Park, Stroud, Gloucestershire.

Photograph: ©Emma Evans, 2018

The book, printed by Emma Evans UoG, Pittville Press, is a collection of poetry, photography, drawings, journal notes, animation.

The event is free and will take place at the Walled Garden Room, Museum in the Park, Stroud, Gloucestershire /

Saturday 20th Jan. 2018, at 2pm.

Come along to share your story and enjoy the launch or just to listen and to be inspired!

It has been my privilege to be part of this.

Maria Stadnicka, 2018

Gloria Mundi

II – MMXVIII

I – MMXVIII

 

 

 

 

 

 

III – MMXVIII

IV – MMXVIII

V – MMXVIII

 

 

 

 

 

 

VI – MMXVIII

VII – MMXVII

IX – MMXVIII

 

 

 

 

 

 

X – MMXVIII

 

XI – MMXVIII

XII – MMXVIII

 

 

 

 

 

 

 

Photography: ©John Stadnicki 2018

 

Panis Angelicus

 

Photograph: ©John Stadnicki, ‘Corpus I’ – MMXVII

 

(for Katie McCue)

 

The soldier, asleep by his polished sword,

was somehow surprised.

Such a big storm!

 

The colours, all of them, disappeared.

The city collapsed in a big crevasse.

 

When she cried,

everybody cried.

 

The roads, the windows had to be shut

when she needed silence.

 

The words had to be wrapped in silvery knots

just before

they became people.

 

The stories stopped being written,

the earth stopped,

the war stopped.

And simply because she had

a fear of butterflies.

 

The butterflies were not scared of her.

 

Photograph: ©John Stadnicki, ‘Corpus II’ – MMXVII