Migration Stories – Cultural Exchange Project initiated by Univ. of Gloucestershire at Museum in the Park

A week to go! 12th November 2017 from 10.30 am!

So happy to be part of this and to support an excellent project!

Migration Stories / A Cultural Exchange which celebrates the diversity and the powerful cultural impact of our migrants’ stories and experiences.

Spoken languages can both unite and separate human kind. Through education we can learn to speak other languages and this entitles us to appreciate cultures around us. However, linguistics alone are just one conduit of understanding – our sense of what is to be human in the world is also built on non-linguistic cultural experiences – we learn through stories, legends, music, food, dance, festivals, artefacts and images.‘ (Excerpt from Daniel Barenboim, on the 16th July 2017, in an impromptu speech at the Proms Albert Hall.)

Photograph: ©John Stadnicki

12th November 2017 at Museum in the Park, Stroud, Gloucestershire is the first part of a beautiful cultural project which will continue and will develop over the next three months.

The workshop will start at 10.30am at Museum in the Park and will bring together narrators, MA illustrators, poets, writers and photographers.

At 11am we will invite illustrators, photographers, writers, students to listen and to be inspired by the unique stories and memories of those who have experienced the joy, the pain, the comic, the humane journey of those, amongst us, arrived from somewhere else.

The narrators Anita Roy, Dolores Phelps, Maria Stadnicka, Fumio Obata, Ro Saul, John Stadnicki will tell us their memories.

Lunch time – bring and share food from our own heritage

Photograph: © John Stadnicki ‘Portrait – Mr. Sova’

The afternoon will create opportunities for smaller groups to discuss in detail elements of the stories and will begin to consolidate ideas for creative responses.

The creative responses will be completed by  6th December 2017 and a small dedicated team will produce a beautiful new Riso book, ready for the launch on the 22nd of January 2018.

Partners involved: University of Gloucestershire, University of Winchester, SGS Stroud College, Museum in the Park, Stroud, Gloucestershire.

We are looking forward to your participation and contribution!

 

 

The next event will on the 22nd November 2017 at Museum in the Park, Stroud, Gloucestershire: 

Chaired by Dolores Phelps, MPhil/PhD Researcher, Illustration

9.30 Coffee and introductions

10am start

Introduction by Dolores Phelps and Jen Whiskerd

10.15 Presentation by Andrew Melrose

10.45 Presentation by Adelaide Morris

11.15 Presentation by Olivier Kugler

12.00 Lunch

1.00 Presentation by Fumio Obata

1.30 Presentation by Dolores Phelps

2.00 Presentation by TBA OR Panel discussion

2.30 Panel discussion/Q&A – Olivier, Adelaide, Andrew

3pm Closing remarks.

3.30 Close

Come along and get involved!

 

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The Chess Game / Jocul de Sah / LitArt

 

Pentru cititorii in limba romana, saptamana aceasta a sosit cu o surpriza minunata. O pagina de poezie publicata in LitArt publicatie lunara de cultura, tiparita la Tg. Mures, sub egida onorifica a filialei locale a Uniunii Scriitorilor.

Multumiri redactorului-sef Adrian Armand Giurgea si echipei redactionale pentru promovarea valorilor culturale romanesti.

Pentru mine are o semnificatie speciala. 14 ani de cand am publicat ultima oara in Romania. 14 ani lungi, foarte lungi, de absenta si de dor. Editia tiparita este distribuita in Romania si poate fi accesata electronic in format pdf aici:

http://www.litart.ro/fileadmin/template/pdf/litart_iunie_iulie_2017.pdf

 

 

For Romanian readers, this week arrives with a beautiful surprise. Nine poems published in LitArt, Tg. Mures, Romania, under the Romanian Writers Association patronage. Gracious thanks to the editor-in-chief Adrian Armand Giurgea as well as the whole editorial team for the great work you are doing in promoting the cultural values of our generation, in Romania and abroad.

This has a particular significance for me, as it marks 14 years since the publication of my last poem written in Romanian. 14 long years.

The magazine is available in print and online, downloadable here:

http://www.litart.ro/fileadmin/template/pdf/litart_iunie_iulie_2017.pdf

Photograph: @Georgiana Calinescu-Barber

Bad Luck

The other day I had a fall in the bathroom

and cracked two ribs.

I have a black eye and a swollen knee.

 

Google says I should end up with a persistent cough and

the doctor recommends to avoid

laughter, hic-ups, children, smiling people.

 

Yesterday, I burnt my left hand with boiling steam,

I cursed and dropped the kettle on the floor,

then smashed the kitchen window with my fist.

 

Today I am definitely going to die so

I have now set fire to the house

ready to lie in bed wrapped up in wet blankets.

 

My next door neighbour pops by to say that

winter is about to settle in and

he ran out of tea bags.

Short Love Letter

 

Dear local MP, a while ago I vividly remember

writing you a very short note to say ‘fuck it, I quit!’.

I licked the stamp and dropped the envelope

in the box number eighty four, school lane, first left,

by the traffic lights.

 

I ran back to my flat, unplugged the TV

and read ‘War and Peace’ under the duvet covers.

 

By the time I got to page seven hundred and twenty I’d realised

the war was not the most important thing in a man’s life.

I started to feel a bit sorry for myself

having nothing to be angry about anymore.

 

But now, coming to think of it, you gracefully got over the insult

and posted back a signed Christmas card.

It arrived in January but let’s not stop at details.

 

I kept at my book for over a month.

The French got stuck in Siberia,

the women mourned, the men went back home

as they did in those days.

 

And then a neat Valentine appeared

hand-delivered by a Romanian postman.

Your concern for my love life brings me to tears.

There is nothing worse than rejected love.

Soldiers

The dreadful day we had feared

arrived at last. Possibly March the first.

At the picket line.

We held hands with the same familiar tenderness

maybe shared the same memories witnessing

the course of events as the revolution unravelled.

With a kind of regret my fist hit

the walls of a prison surrounded by weaved carpets.

With photographs stored in books

different directions awaited.

Never to see each other again.

mm

Of Hats and Social Change

It might be that the Panama Papers will become as iconic in history as the fashionable Ecuadorian ‘panama hat’; a striking and a bit ostentatious item, which everybody wants but nobody knows how to properly wear it. Not in Britain. For obvious climatic restrictions.

 

However though, on Monday morning, Britain received such a hat, delivered by the mediatic postal service, whilst not wide awake yet, post Easter holiday, when the weather forecast was not that brilliant anyway. Would it worth the bother, for the sake of seven or eight hours of sunshine a week? Should it return to sender and have the money back?

 

The British rich and the poor found out, with some surprise, that once they had signed for the goods, the sender remained unknown. And, as the box opened, millions of other items emerged. Things which we all ‘kind of’ knew about, but wished we hadn’t. The truth.

 

The shock of discovering your master licking his honey smeared fingers in your own pantry. The shock of being discovered and still trying to say ‘sorry it won’t happen again’ type of thing.

 

In a society where the wealth and the poverty cohabit undisturbed, in their own universe, parallel with each other, it becomes increasingly difficult to formulate an opinion about social injustice, corruption, and privileged few. Almost impossible to do something about it. This explains the public opinion’s delayed reaction to the recent ‘Panama Papers’. But does it justify it? And even if, let’s say, something could be done about it, what resolution would not involve fundamental change and transformation, on both sides?

 

Given the realities of international and national politics, each of us is, to some extent, victim of conflicting demands between truth and power. Observers of social reality, rather than makers of it. Furthermore, the unfortunate circumstances, which define the current trends, deepen in a climate where radical thinking and critical debate do not address the core values on which we built our social structures and institutions.

 

With the current revelations in mind, it is rather justifiable, once more, the duty to bring in focus the possibility of change, which, ‘to some extent’, comes from our desire ‘to create the future rather than merely observe the flow of events. Given the stakes, it would be criminal to let real opportunities pass unexplored.’ (Noam Chomsky, 2014, ‘A Genuine Movement for Social Change’)

 

20140118-183227.jpg

The Reality of Lines

I am the best like this
with nothing left
hanging
dried purple tulips
at each door handle.
With no audience
I face the blackness of each line
to learn what remains of reality.
The hope that all could be new
when everything is
already gone.

image

@Maria Stadnicka