A poem for ‘Europa‘ by Andrew Heath https://www.amazon.co.uk/Europa-Andrew-Heath/dp/B01LYHL716
For further information on Andrew Heath’s music, please click here: https://andrewheath.bandcamp.com/
Tomorrow will come with a sunny spell,
the rain will stop at the border so
we will begin the long-waited rebellion,
as they say,
at the right moment.
To satisfy our need for greatness,
we will politely ask the just questions and
sit on the pew
in return for the hand-written answer.
We will finally go home,
or so we believe,
to master the only remedy left for pain – patience.
Stroud’s Politics Kitchen presents a musical experience showcasing a new and exciting political paradigm whose time has come – the Politics of the Heart. This is Politics that recognises that we have more in common than that which divides – a more intelligent, courageous and compassionate politics.
The event, on 11th February 2017 at 19.30 – The Subscription Rooms Stroud, features music from the sensational Bristol-based Spiro who are described as “World Music that speaks directly to the soul” – this is a truly unmissable event.
“This is soulful, passionate music, and I love it”, says Peter Gabriel, speaking of Spiro (see links below). If there were a ‘Stroud Sound’, Spiro would surely be it.
They are supported by Jennifer Maidman Music, stellar singer-songwriter and ex-member of the legendary Penguin Café Orchestra, 1984–2007.
Spiro are also supported by Hattie Briggs another wonderful singer-songwriter, inspired by the likes of Joni Mitchell and James Taylor Hattie recorded her debut album, ‘Red and Gold’ with Peter Waterman (Joss Stone/Uriah Heep/Emma Ballantine), as was her second album, ‘Young Runaway’, in 2016.
The event is supported by and features poetry readings with Gabriel Millar, Maria Stadnicka and JoJo Mehta.
Tickets available at Stroud Subscription Rooms: http://www.subscriptionrooms.org.uk/whats-on/politics-of-the-heart-with-spiro/
In a country where all books are forbidden,
the hurricane spits out a new world
with a new legacy of destruction.
People stop by the house with a light on and a blue door,
the house with boarded-up windows where
the mandolin player keeps an eye
on his own basement revolution.
These are the days when the truth learns to
travel on cigarette papers, between prison cells,
before the police arrives
Ink on paper: ‘Fisherman’, Maria Stadnicka
Witness to a repeated history
in exile I learn a new language
facing the border control
at Heathrow Airport I wear my mother’s coat
ready for a winter of politics
when I need to
I keep my mouth shut I change my name
to look just like her
white and uncomfortable
the blinding sun has been washed and
smells of violets
people are happy
in such a beautiful land
nobody minds me
brushing the dust off velvet cutlery
the only remains
of life before baptism.
photographs: copyright@John Stadnicki, 2016
The fatal morning Europe woke up and thought it had something to say,
there was nobody else left in the world able to listen.
Oh, earth, the bones had gathered to queue for bread,
by the front door at Saint Joseph seminary.
An ordinary day for ordinary death.
The bakery opened and closed.
The workers arrived on time for a last shift then went home.
The ovens had no traces of grain.
The ink stained hope filled up rusty water pipes.
The crowds’ whisper went on, up the hill, out of the city.
After that, freedom meant nothing.
It all came down to
who could hold the front running place the longest.