Installation – visual poem: @Maria Stadnicka, ‘Antarctica’ MMXIV- paper, wood, ink, acrylics, pastels
London
Thought
In a country where all books are forbidden,
the hurricane spits out a new world
with a new legacy of destruction.
People stop by the house with a light on and a blue door,
the house with boarded-up windows where
the mandolin player keeps an eye
on his own basement revolution.
These are the days when the truth learns to
travel on cigarette papers, between prison cells,
before the police arrives
to evacuate.
Ink on paper: ‘Fisherman’, Maria Stadnicka
Exile
Witness to a repeated history
in exile I learn a new language
facing the border control
at Heathrow Airport I wear my mother’s coat
ready for a winter of politics
when I need to
I keep my mouth shut I change my name
to look just like her
white and uncomfortable
the blinding sun has been washed and
smells of violets
people are happy
in such a beautiful land
nobody minds me
amongst
wrapped-well-packed boxes
brushing the dust off velvet cutlery
the only remains
of life before baptism.
photographs: copyright@John Stadnicki, 2016
In Other Words, Freedom
The fatal morning Europe woke up and thought it had something to say,
there was nobody else left in the world able to listen.
Oh, earth, the bones had gathered to queue for bread,
by the front door at Saint Joseph seminary.
An ordinary day for ordinary death.
The bakery opened and closed.
The workers arrived on time for a last shift then went home.
The ovens had no traces of grain.
The ink stained hope filled up rusty water pipes.
The crowds’ whisper went on, up the hill, out of the city.
After that, freedom meant nothing.
It all came down to
who could hold the front running place the longest.
On the Treadmill
I have come to recognise God in a violent song,
played in the evening with broken forks and knives.
If I refuse to kneel, the winter starts at the end of September,
on Tuesdays, when I pass by the Jewish quarters.
My road to confession starts, just the same, in the morning chill.
The stones, the trees, the sky have a message,
of that I am certain, arrived at the wooden door of the hermitage.
And I knock and I knock.
A raven finally opens the white background.
The raven says with calculated words that, at present,
this government is busy.
Important wars need attending, in a land like no other.
I am given a form and I hear the padlocks.
I jump on the treadmill to keep warm.
Photo: copyright@John Stadnicki, 2016
Silent Country
On the wall opposite my bungalow
a blue advert drips on a stationary boat.
The sea is far away, overcrowded.
The acid rain dissolved the bold letters
which used to show my direction.
I have no choice but to stay vigil
behind this lighthouse
waiting for another explosion.
Do you see what I see?
We arrived, at last, at a dead end
a few souls making plans at a bus stop.
All that talking led us cattle to slaughter.
Games During the Cold War
The winter Clara and I secretly discovered socialism
we had nothing left in the house
that was worth burning.
The frost surrounded the bedroom,
we talked to keep warm
and I suggested to write on the walls.
We used the kitchen knife to sharpen crayons
and kept at it for a couple of hours.
‘All western countries, enemies of the people!
Kill the foreigners!
Kill Ronald Reagan!’
I thought Ro-nald was such a bad name
for a man who never wrote children books,
probably he deserved to die.
My spelling was not very good at that age,
so the room filled with rainbows instead.
Clara and I laughed.
At that point, we felt hungry and I remembered
mother kept the bible covered with cloth
on top of the fridge
so I lifted the shiny red cover, sliced it in very small pieces
and added water and salt.
The feast carried on for a bit.
Clara and I chewed with determination several chapters.
We almost got half way through
when I read: ‘Then there shall be a time of trouble …for
every one that shall be found written in the book.’
And then, in the middle of our small apartment,
the game stopped.
I went back to the wall
and changed the words around.
‘Ro-land, orphan but free’.
Photograph: @John Stadnicki, ‘Piazza’, 2016
Short Love Letter
Dear local MP, a while ago I vividly remember
writing you a very short note to say ‘fuck it, I quit!’.
I licked the stamp and dropped the envelope
in the box number eighty four, school lane, first left,
by the traffic lights.
I ran back to my flat, unplugged the TV
and read ‘War and Peace’ under the duvet covers.
By the time I got to page seven hundred and twenty I’d realised
the war was not the most important thing in a man’s life.
I started to feel a bit sorry for myself
having nothing to be angry about anymore.
But now, coming to think of it, you gracefully got over the insult
and posted back a signed Christmas card.
It arrived in January but let’s not stop at details.
I kept at my book for over a month.
The French got stuck in Siberia,
the women mourned, the men went back home
as they did in those days.
And then a neat Valentine appeared
hand-delivered by a Romanian postman.
Your concern for my love life brings me to tears.
There is nothing worse than rejected love.














